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Henry Dehlinger
Beyond Earth: A Celestial Odyssey (2026)
Suite for Large Orchestra with
Cinematic-Scientific Visualizations by NASA
Duration: 40'
Scoring
3(II=a.fl.)(III=pic).3(III=E.H.).3(III=bcl).3(III=cbn) - 6.4.3.cbtbn.1 - timp.3perc: BD/SD/tgl/c.cyms/r.cym/susp.cym/tam-t/tamb/whip/glock/t.bells/xyl/vib - 2hp.pf(cel) - strings
Description
Beyond Earth: A Celestial Odyssey is an unforgettable film + live orchestra experience emerging from Henry's creative partnership with NASA. Tracing humanity's journey beyond our home planet, it unfolds across three visual arcs—Apollo archival footage, stunning International Space Station sequences, and imaginative visions of future exploration inspired by Artemis II, Voyager, OSIRIS‑REx, and more.
NASA Multimedia Content
4K concert videos are free for performance use.
World Premiere
May 10, 2026
The Music Center at Strathmore, MD
Capital Classical Concerts, Piotr Gajewski, conductor
I. Ad Lunam
(10' 26")
Music
Henry Dehlinger
NASA Production Team
Cathy Ching, Lindsey Tober and Sarah Gordon (Goddard Space Flight Center)
Wade Sisler (Executive Producer)
Ad Lunam recounts the Apollo missions using original footage and a gradual expansion of orchestral scale and energy. It opens in hushed reverence beneath a star-strewn sky. A solitary flame—our earliest source of light and warmth in the prehistoric night—flickers before transforming into the Saturn V rocket.
Layered entrances chart the arc from wonder to action, mirroring the mounting tension of launch, the vast silence of space, and the suspended grace of lunar orbit.
As Earth falls away and the Moon draws near, the orchestration thins to a translucent shimmer. Harp bisbigliando becomes the focal color, surrounded by sustained, floating sonorities that suggest both weightlessness and profound isolation. It casts a glassy, spherical glow across the texture, as if illuminating the silent void below.
After the lunar module lands, the harmony opens into restrained triumph—radiant yet contained—allowing reflection to temper celebration.
Inspired by a visual narrative created by NASA’s Cathy Ching, Sarah Gordon and Lindsey Tober, Ad Lunam approaches Apollo not as spectacle alone, but as a shared awakening of human wonder.
II. Outpost in the Sky
(14' 52")
Music
Henry Dehlinger
NASA Production Team
Mitch Youts (Johnson Space Center)
Wade Sisler (Executive Producer)
Outpost in the Sky paints an intimate portrait of the International Space Station (ISS), built on continuity, balance, and suspended motion. A sustained low E pedal tone acts as the gravitational anchor, from which a largely textural harmonic world slowly unfurls.
Layered, slow-moving voices and carefully weighted dynamics mirror the station’s serene glide through orbit before the music turns inward. In the Cupola, instrumental timbres brighten and thin, opening transparent windows onto Earth’s curve: sunrises cresting cloud ridges, lightning tracing oceans, auroras shimmering at the planet’s edge.
Curated imagery by Mitch Youts (NASA Johnson Space Center) links moments of research and routine to shifts in orchestral character: percussive bursts punctuate electrical storms, while long-breathed melodies accompany scenes of ingenuity, cultivation, and daily life in microgravity. The ISS becomes both scientific stronghold and home—gentle, sweeping lines underscoring quiet experiments as astronauts tend lettuces, tomatoes, and peppers, gestures toward a sustainable, interplanetary future.
Research and daily joy blend seamlessly: shared meals, impromptu celebrations, floating dances, and laughter echoing through pressurized corridors. In this choreography of science and soul, the human spirit endures in even the most extreme frontier.
Each frame honors the astronauts who animate the outpost—Tracy Dyson, Jeanette Epps, Butch Wilmore, Suni Williams, Don Pettit, Robert Hines, Kjell Lindgren, Christina Koch, Joe Acaba, Megan McArthur, Serena Auñón-Chancellor, Sławosz Uznański‑Wiśniewski, Alexander Gerst, Samantha Cristoforetti, Drew Morgan, and Shannon Walker—woven together into the station’s living tapestry.
As the movement closes, tempo and texture soften for the descent: the camera shifts from station to returning capsule, the score yielding to the emotional gravity of leaving a fragile, orbiting sanctuary. Earth remains ever-present in the window—luminous, whole, and achingly beautiful.


