tag:henrydehlinger.com,2005:/blogs/news?p=3
News
2024-02-22T13:44:30-05:00
Henry Dehlinger | Composer
false
tag:henrydehlinger.com,2005:Post/7355469
2024-02-22T13:44:30-05:00
2024-03-07T16:38:42-05:00
Cosmic Cycles to Make Australian Premiere in 2024
<p style="text-align:justify;"><a class="no-pjax" href="/cosmic-cycles" data-link-type="page" data-link-label="Cosmic Cycles"><i>Cosmic Cycles, A Space Symphony</i></a><i>,</i> Henry Dehlinger's immersive concert experience inspired by the Cosmos and composed in collaboration with NASA, will make its Australian premiere in 2024, opening at The Concourse Concert Hall with Maestro Steven Hillinger conducting the North Sydney Symphony Orchestra.</p><!-- more --><p style="text-align:justify;">When: Saturday, May 25, 2024 at 7:30 PM<br>Where: The Concourse Chatswood, Australia</p><p><span>Conductor: Steven Hillinger</span><br><span>Concertmaster: Adrian Keating</span></p><p style="text-align:justify;">The North Sydney Symphony Orchestra is excited to present the Australian Premiere. This will be only the third time ever this piece has been performed live, following its world premiere in the USA in 2023.</p><p style="text-align:justify;">A marriage of art and science, <i>Cosmic Cycles</i> showcases the Sun, Earth, Moon, Planets, and beyond with stunning new imagery from the Webb Space Telescope, this epic suite of seven symphonic poems takes audiences on a sublime voyage through the Cosmos, offering a glimpse of the beginning of time.</p><p style="text-align:justify;">Commissioned by the National Philharmonic for its 2022-23 season, <i>Cosmic Cycles</i> was inspired by the beauty and wonder of the universe. NASA created a stunning visual canvas of astronomical images—unfathomable cosmic figures such as the Orion Nebula, Pillars of Creation and supermassive black holes captured by Webb—and visualizations representing scientific data to evoke an aesthetic response from the composer. Especially poignant is the depiction of Earth’s fragile beauty and how a century of climate change has affected the biodiversity of our home planet. These are projected in HD on a giant screen above the orchestra.</p><p style="text-align:justify;">“You can have majesty, wistfulness, and ethereality coexist,” Dehlinger comments in “Looking for Art in the James Webb Telescope,” the September 2023 piece in <i>The New Yorker</i> that spotlights Dehlinger’s composition of <i>Cosmic Cycles</i>. “You know you’re dealing with wonderful material when it can elicit more than one emotion.”</p><p style="text-align:justify;"><a class="no-pjax" href="https://nsso.my-free.website/25-may-2024" target="_blank" data-link-type="url">Click here for tickets</a>.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7351734
2024-02-05T12:00:00-05:00
2024-02-22T13:10:43-05:00
Alaska Concert Tour to Include Henry’s Latest Art Songs
<p>The Sitka Music Festival presents its 2024 Winterlude featuring soprano Danielle Talamantes performing Dehlinger vocal works along with other art songs with the composer at the piano. The concert tour includes stops in Ketchikan, Sitka, Anchorage, and Wasilla, with a stop in Juneau for the Juneau Jazz & Classics Festival</p><!-- more --><p><strong>About The Sitka Music Festival</strong><br>The Sitka Music Festival was founded in 1972 by violinist Paul Rosenthal, a then aspiring artist just completing instruction at the University of Southern California with master violinist Jascha Heifetz. Mr. Rosenthal, a native New Yorker, began playing violin at three. He studied with Dorothy DeLay at The Juilliard School, Ivan Galamian and Josef Gingold prior to coaching with Heifetz.</p><p>In 2011, Paul Rosenthal retired from the Festival. In his four decades as Artistic Director, Paul helped to nurture deep roots across the state: an enthusiastic audience, authentic friendships, and dedicated contributors. Paul carefully chose cellist Zuill Bailey as his successor to continue his tradition of consistently bringing the highest caliber of classical music to Alaska.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7280335
2023-10-17T00:00:00-04:00
2023-10-17T18:31:28-04:00
Dehlinger to Speak at ARTECHOUSE DC on October 25th
<p>Dehlinger will speak at ARTECHOUSE, the leading art space dedicated to immersive digital art, as part of its ARTECHTALK series of talks with NASA scientists and collaborators. Henry will discuss looking for art in the James Webb Space Telescope and how he collaborated with NASA to compose <i>Cosmic Cycles</i>.</p><!-- more --><p><a class="no-pjax" href="https://www.artechouse.com/event/artechtalk-henry-dehlinger/" target="_blank" data-link-type="url">Go to ARTECHOUSE</a>.</p><p>Composer Henry Dehlinger embarked on a musical collaboration with NASA’s Goddard Space Flight Center and the National Philharmonic, resulting in <i>Cosmic Cycles, A Space Symphony</i>. This orchestral work is an epic suite of seven symphonic poems that is paired with imagery and data visualizations of the Sun, Earth, Moon, Planets, and Cosmos, many of them from the James Webb Space Telescope.</p><p>Dehlinger’s creative collaboration will be a wonderful contrast to the exhibition <i>Beyond the Light</i>, with its original score by Mehmet Ünal, and the conversation will explore the differences in approach and inspiration in turning the data of our universe into art.</p><p><strong>Date:</strong> Wednesday, October 25<br><strong>Time: </strong>5pm-6pm Programming<br>6pm-7pm Exhibition Experience<br><strong>Location:</strong> ARTECHOUSE DC</p><p><i>Tickets will become available one week prior to the event. Make sure you follow us on social media @artechouse where they will be announced.</i></p><p><i><span data-sheets-value="{"1":2,"2":"Please join us for ARTECHTALK, a series of talks and conversations with NASA scientists, inspired by Beyond the Light. \n\nDr. Eric Smith is the Associate Director for Research in the Science Mission Directorate's Astrophysics Division at NASA Headquarters as well as the Program Scientist for the James Webb Space Telescope. He began working on the James Webb Space Telescope in 1996, and has an unparalleled knowledge and experience with this most incredible, tetchnologically-advanced tool. \n\nThis is a chance to learn more about the telescope that has captivated the world over the past year directly from the source.\n\n~~\n\nBeyond the Light, an original artistic expression of scientific discoveries conceptualized and created by ARTECHOUSE Studio in collaboration with NASA, is the story of how human innovation has enabled us to see beyond our imaginations and into the furthest reaches of the cosmos. The cinematic exhibition submerges you into the timeless story of light and aims to inspire your curiosity for what else is possible.\n\nDiscover Tomorrow's Art Today"}" data-sheets-userformat='{"2":17153,"3":{"1":0},"11":4,"12":0,"17":0}'>Complimentary ticket includes admission to the exhibition.</span></i></p><p><span data-sheets-value="{"1":2,"2":"Please join us for ARTECHTALK, a series of talks and conversations with NASA scientists, inspired by Beyond the Light. \n\nDr. Eric Smith is the Associate Director for Research in the Science Mission Directorate's Astrophysics Division at NASA Headquarters as well as the Program Scientist for the James Webb Space Telescope. He began working on the James Webb Space Telescope in 1996, and has an unparalleled knowledge and experience with this most incredible, tetchnologically-advanced tool. \n\nThis is a chance to learn more about the telescope that has captivated the world over the past year directly from the source.\n\n~~\n\nBeyond the Light, an original artistic expression of scientific discoveries conceptualized and created by ARTECHOUSE Studio in collaboration with NASA, is the story of how human innovation has enabled us to see beyond our imaginations and into the furthest reaches of the cosmos. The cinematic exhibition submerges you into the timeless story of light and aims to inspire your curiosity for what else is possible.\n\nDiscover Tomorrow's Art Today"}" data-sheets-userformat='{"2":17153,"3":{"1":0},"11":4,"12":0,"17":0}'>Beyond the Light, an original artistic expression of scientific discoveries conceptualized and created by ARTECHOUSE Studio in collaboration with NASA, is the story of how human innovation has enabled us to see beyond our imaginations and into the furthest reaches of the cosmos. The cinematic exhibition submerges you into the timeless story of light and aims to inspire your curiosity for what else is possible.</span></p><p><i>Discover Tomorrow’s Art Today</i></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7273817
2023-09-14T00:00:00-04:00
2024-03-07T16:38:42-05:00
Interview with The New Yorker’s Matthew Hutson
<p>Dehlinger sat down with <a class="no-pjax" href="https://www.newyorker.com/science/elements/looking-for-art-in-the-james-webb-telescope" target="_blank" data-link-type="url"><i>The New Yorker’s</i></a> contributing writer Matthew Hutson to discuss how he found musical inspiration in the James Webb Space Telescope’s latest images of the Cosmos. They talked especially about <i>Echoes of the Big Bang</i>, the seventh movement of his new work, <i>Cosmic Cycles.</i></p><!-- more --><p><a class="no-pjax" href="https://www.newyorker.com/science/elements/looking-for-art-in-the-james-webb-telescope" target="_blank" data-link-type="url">Looking for Art in the James Webb Telescope: Artists are fining inspiration in the newest images of old and ancient stars.</a><br><i>The New Yorker</i>, September 14, 2023</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7228915
2023-06-19T11:21:22-04:00
2023-07-30T13:40:22-04:00
Scoring the Cosmos: Interview with NASA Goddard's StoryLab
<div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="KE4P5OUIMPQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/KE4P5OUIMPQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>Henry talks to NASA’s Wade Sisler to discuss “<a class="no-pjax" href="https://www.youtube.com/watch?v=KE4P5OUIMPQ" target="_blank" data-link-type="url">Scoring the Cosmos</a>,” the latest episode of NASA Goddard’s StoryLab series. Henry discusses his unique collaboration with NASA and National Philharmonic, which culminated in the widely acclaimed premiere of <i>Cosmic Cycles, A Space Symphony</i> in May 2023.</p><!-- more --><p>He also describes his creative process in composing music for videos made by NASA producers – taking the audience on an enchanting voyage through the cosmos, delving into the power of art to communicate scientific ideas, and inspiring wonder and curiosity about the mysteries of the universe.</p><p>Hosted by NASA Goddard Office of Communications, the StoryLab series introduces methods and perspectives for making storytelling come alive. “Scoring the Cosmos” aired on June 14, 2023.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7210756
2023-05-17T14:07:04-04:00
2023-06-19T14:49:06-04:00
AFP News: "It could be the ultimate blend of art and science"
<p><a class="no-pjax" href="https://www.france24.com/en/live-news/20230517-us-space-symphony-puts-stunning-nasa-images-to-music" target="_blank" data-link-type="url">Agence France-Presse</a> - AFP News was at Capital One Hall on May 11, covering the dress rehearsal and world premiere of <i>Cosmic Cycles</i>. AFP News editor Daniel Stublen sat down with composer Henry Dehlinger, NatPhil conductor Piotr Gajewski and Producer Wade Sisler from NASA’s Goddard Space Flight Center.</p><!-- more --><p>From AFP News:<br><i><span>"It could be the ultimate blend of art and science - a new seven-suite ‘space symphony’ inspired and illustrated by NASA's latest mind-boggling images.</span></i></p><p><i>“The world premiere outside Washington last week of "Cosmic Cycles" showcased vivid imagery compiled by the US space agency alongside the first-ever public performance of the music."</i></p><p><a class="no-pjax" href="https://www.france24.com/en/live-news/20230517-us-space-symphony-puts-stunning-nasa-images-to-music" target="_blank" data-link-type="url">Read<span> the story </span>on AFP News</a>.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7208765
2023-05-14T11:29:12-04:00
2023-06-20T08:21:11-04:00
Washington Post: NASA and NatPhil a "successful launch"
<p style="text-align:justify;">In <a class="no-pjax" href="https://www.washingtonpost.com/music/2023/05/12/nasa-national-philharmonic-cosmic-cycles/" target="_blank" data-link-type="url">his latest review</a>, <i>The Washington Post's</i> Michael Andor Brodeur calls <i>Cosmic Cycles, A Space Symphony</i> “a harmonically rewarding wander through the stars that finds the substantial 81-piece orchestra — commandingly conducted by Piotr Gajewski — achieving unexpected lightness.”</p><!-- more --><p style="text-align:justify;">National Philharmonic mounted the world premiere on May 11 at Capital One Hall. It was followed by a sold-out performance on May 13 at the Music Center at Strathmore.</p><p style="text-align:justify;">Mr. Brodeur writes, “A grand seven-movement narrative arc emerges from the sequence of images and music, as the presentation shuttles listeners from the furnace of the sun to the cradle of the Earth, across the expanse of our still-mysterious solar system and onward into the squiggly lines and black holes of the unknown.”</p><p style="text-align:justify;">Mr. Brodeur’s goes on to say, “It’s not easy to wick drama from data or sentiment from space, but Dehlinger’s orchestrations for potentially stale stills and inscrutable-but-pretty mathematics packed an unexpected emotional punch. Gajewski, along with his orchestra, was in fine form, handling the work’s many swerves and dives with ease and confidence. Kudos in particular to concertmaster Laura Colgate, whose several solos left gleaming trails in the air.”</p><p style="text-align:justify;">The performance concluded with an encore, <i>Return to the Moon, A Fanfare to Artemis</i>, a powerful anthem that Dehlinger composed to mark the rollout of NASA’s Space Launch System, the main launch vehicle of the Artemis lunar program.</p><p style="text-align:justify;">Mr. Brodeur writes, “It was perhaps the most traditionally triumphant-sounding skyward salute of the evening — the Space Force could learn a thing or two. But with its big blasts of brass, it was also a reminder of what we want from the heavens in the first place: a sign that someone’s listening.”</p><p><a class="no-pjax" href="https://www.washingtonpost.com/music/2023/05/12/nasa-national-philharmonic-cosmic-cycles/"><u>Read the full review</u></a> on <a class="no-pjax" href="https://www.washingtonpost.com/music/2023/05/12/nasa-national-philharmonic-cosmic-cycles/"><u>WashingtonPost.com</u></a>.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7186698
2023-04-20T00:00:00-04:00
2023-05-05T14:55:16-04:00
Cosmic Cycles, A Space Symphony Premieres May 11
<div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ZhK_hStKmgs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ZhK_hStKmgs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p style="text-align:justify;">On May 11 and 13, NatPhil presents <a class="no-pjax" href="https://nationalphilharmonic.org/cosmic-cycles/" target="_blank" data-link-type="url"><i>Cosmic Cycles, A Space Symphony</i></a>, Dehlinger’s monumental suite of seven symphonic poems, with an HD screening of images captured by NASA's Hubble and Webb Space Telescopes and groundbreaking visualizations created by NASA’s Goddard Space Flight Center.</p><!-- more --><p style="text-align:justify;"><a class="no-pjax" href="https://nationalphilharmonic.org/cosmic-cycles/" target="_blank" data-link-type="url">Click here for tickets.</a></p><figure class="table"><table><tbody><tr>
<td><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/393944/746510077428fb7584b36ff7131ed2f62cec3de6/original/natphil-x-large.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_s justify_left border_" /></td>
<td><p style="text-align:center;"> </p></td>
<td><p style="text-align:center;"> </p></td>
</tr></tbody></table></figure><p style="text-align:justify;">The National Philharmonic (NatPhil), led by conductor Piotr Gajewski, will mount the world premiere at Capital One Hall in Tysons, VA on May 11, with a second performance at the Music Center at Strathmore in North Bethesda, MD on May 13, 2023.</p><p style="text-align:justify;"><span>“I am very excited for this program, which brings together two of our favorite collaborators: NASA Goddard and my dear friend Henry Dehlinger,” said Maestro Gajewski, who will conduct both concerts. “National Philharmonic has premiered two of Henry’s compositions with great success: </span><i>The Love Song of J. Alfred Prufrock </i><span>in October 2021 and </span><i>Amore e’l cor gentil sono una cosa </i><span>in May 2021. We look forward to this third premiere, which we commissioned from him. The extraordinary visuals from NASA Goddard will make the experience even more magical and enveloping for those in attendance.”</span></p><p style="text-align:justify;"><span style="color:rgb(0,0,0);">“I’m thrilled to have this commission. </span><i>Cosmic Cycles</i><span style="color:rgb(0,0,0);"> is a dream project because it bridges the gap between art and science," said composer Henry Dehlinger. "Together with two of D.C.’s biggest stars—NASA and NatPhil—we’re taking the audience on an exploration of the universe through an immersive experience that combines symphonic music and visual storytelling.”</span></p><p style="text-align:justify;"><span>Each movement of </span><i><span>Cosmic Cycles</span></i><span> carries a programmatic title that alludes to the images, illustrations, and videos which inspired the composer’s composition of that movement. In the upcoming performances, these symphonic poems will be paired with HD projections of the visuals.</span></p><ol style="list-style-type:decimal;">
<li style="text-align:justify;">
<i>The Sun</i> is a celebration of the life-giving star at the center of our Solar System. It opens with a closeup of the Sun’s surface that highlights the mysterious arcing loops of plasma held by powerful magnetic fields. It is here that Dehlinger introduces the solar theme, a leitmotif which recurs throughout the movement. A swelling evocation of <i>Helios</i>, it is at once beautiful and haunting, majestic and lonesome. At first, we don't quite know what we're seeing. The picture then zooms out slowly, until the solar orb is fully revealed. <br> </li>
<li style="text-align:justify;">
<i>Earth, Our Home</i> is a celebration of our home planet with all its awesome power and fragile brilliance. As one NASA Goddard Earth scientist said, “If we were on any other planet, we’d be trying to get to Earth as quickly as we could.” It opens with Earth from space as <i>pianissimo</i> strings underscore the atmospheric mood. An aspirational theme comprised of four notes—the first pair a perfect fourth apart; the second pair a perfect fifth apart—is revealed as the empyreal scene transitions to the view below from the International Space Station.<span> </span>The mood turns heroic, and a new theme carried by trumpets is introduced. There’s a thrilling sense of action punctuated by syncopated rhythms and colorful harmonic textures, before we return once again to the peaceful idyll. <br> </li>
<li style="text-align:justify;">
<i>Earth as Art</i> introduces mesmerizing images of river deltas, mountains, and other sandy, salty, and icy landscapes captured by the Landsat Program, a series of Earth-observing satellite missions jointly managed by NASA and the U.S. Geological Survey. The aesthetic beauty in the patterns, shapes, colors and textures of the terrestrial land and seascapes may even evoke some famous works of art. The expressive violin solo, composed especially for NatPhil concert master Laura Colgate, transforms this symphonic poem into a tender exultation of our home planet. <br> </li>
<li style="text-align:justify;">
<i>The Moon</i> explores the surface of our barren satellite. Everything is grey, yet there is great beauty in the monotone emptiness of the lunar surface. Apollo 11 astronaut Buzz Aldrin, the second human ever to step on the moon, described it as “magnificent desolation." We flash back to July 21, 1969 when Neil Armstrong and Aldrin walked on the moon before closing the movement with Earth rising above the lunar horizon. <br> </li>
<li style="text-align:justify;">
<i>Planetary Fantasia</i> is a journey to each of the other planets of our solar system. It kicks off with a musical depiction of Mercury's quicksilver elusiveness, before moving on to Venus, Mars, Jupiter, Saturn, Uranus, and Neptune. Mars is the star of the show, as NASA makes preparations for human missions to travel there. Gustav Holst’s musical rendering of the Red Planet is the inspiration for the terse, <i>col legno</i> strings that introduce the Mars section. The sweeping Martian mini-rhapsody gives way to dissonant woodwinds as robotic orbiters, landers and mobile laboratories roam the barren landscape. Jupiter, the king of the planets, is impressive and majestic. Swelling brass is met with a torrent of energetic dances punctuated by tambourines, xylophone and gong. As we pass the ice giants Uranus and Neptune, Dehlinger spins a richly-textured fabric of soaring, spheric sounds as we leave the edges of our Solar System and vanish into deep space. <br> </li>
<li style="text-align:justify;">
<i>The Travelers (DART and OSIRIS-REx)</i> tells a tale of dark bits and pieces of rock, scattered in orbits around the Sun, and left over from the dawn of the solar system. Most of these objects orbit between Mars and Jupiter in a grouping known as the main asteroid belt. We are introduced to DART, the first-ever space mission to deflect an asteroid, and OSIRIS-REx, which traveled to asteroid Bennu to bring samples back to Earth. The movement opens with a sequence of disquieting percussive bursts, after which a soundscape of slow moving canons morph into a dense texture of eerie tone clusters. <br> </li>
<li style="text-align:justify;">
<i>Echoes of the Big Bang</i> is an exploration of the universe and its origins, from the Pillars of Creation and the Orion Nebula to the M87 Supermassive Black Hole. To complement the symphonic soundscape, the composer introduces a synthesized sonification of a black hole at the center of the Perseus galaxy cluster, which was captured by NASA scientists. The black hole sends out pressure waves that cause ripples in the cluster’s hot gas that can be translated into a note—B flat to be exact—one that humans cannot hear some 57 octaves below middle C. The sound waves have been resynthesized into a range we can hear. We also experience binary star colliding winds, merging neutron stars, gamma-ray bursts in distant galaxies, and much more. In the finale, everything comes full circle with an exoplanet system and a fly-in to a distant star that mirrors our Sun. The majestic solar theme is reprised one last time as the film fades to white.</li>
</ol><p style="text-align:justify;"><span>Like with Dehlinger, NatPhil’s partnership with NASA Goddard has developed over the past seasons. Their most recent collaboration, </span><i>Holst’s The Planets </i><span>in February 2022, was also presented at Capital One Hall and Strathmore. Other projects included </span><i>Journey Through Space with NASA </i><span>in 2021 and </span><i>Cosmic Designs </i><span>in 2018. These programs centered imagery around existing compositions; the upcoming program, however, flips that around as Dehlinger’s </span><i>Cosmic Cycles, A Space Symphony </i><span>was created to existing images from space.</span></p><p style="text-align:justify;"><span>On May 11 and 13, NatPhil and NASA Goddard will also host educational and engagement pre- concert activities in the lobbies of Capital One Hall and Strathmore. These offerings include a lecture from a real-life NASA astronaut, “ask a scientist” booths corresponding to movements in Dehlinger’s new symphonic suite, and a touchable lunar rock.</span></p><p style="text-align:justify;"><a class="no-pjax" href="https://nationalphilharmonic.org/cosmic-cycles/" target="_blank" data-link-type="url">Click here for tickets</a>.</p><p><span class="text-big"><strong>About National Philharmonic</strong></span></p><p style="text-align:justify;">Led by Music Director and Conductor Piotr Gajewski, the National Philharmonic is hailed by <i>The Washington Post</i> for its “powerful” and “thrilling” performances. Formed in 1985, it is celebrated for showcasing world-renowned guest artists in both time-honored symphonic masterpieces and new works by living composers. NatPhil also strives to create remarkable educational opportunities in the Washington, DC Metro Area and promotes diversity through its Harmonic Justice series, which creates dialogue around the importance of racial equity in classical music.</p><p><span class="text-big"><strong>About NASA</strong></span></p><p style="text-align:justify;">The National Aeronautics and Space Administration is America’s civil space program and the global leader in space exploration. At its 20 centers and facilities across the country – and the only National Laboratory in space – NASA studies Earth, including its climate, our Sun, and our solar system and beyond. NASA also leads a Moon to Mars exploration approach, which includes working with U.S. industry, international partners, and academia to develop new technology, and send science research and soon humans to explore the Moon on Artemis missions that will help prepare for human exploration of the Red Planet.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7186109
2023-04-07T19:45:28-04:00
2023-04-17T17:48:42-04:00
Mexican Cultural Institute Premieres New Dehlinger Duet
<p style="text-align:justify;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/393944/ba3ba919ea1aba5b3b79e60cd12089556db4b750/original/mexican-embassy-artist-and-pianist-image.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Vocal Arts DC presents <i>Canciones de mi corazón</i> on May 11, 2023 at the Mexican Cultural Institute of Washington, DC. The concert will feature soprano Danielle Talamantes, tenor David Portillo and pianist Ga Young Lee performing art songs sung in Spanish, including the premiere of Dehlinger’s <i>Nocturno</i>.</p><!-- more --><p style="text-align:justify;">A duet composed especially for Talamantes and Portillo, <i>Nocturno </i>draws on Dehlinger’s Nicaraguan heritage. It is a setting of a poem by Rubén Darío, the Nicaraguan poet who initiated the Spanish-language literary movement known as modernismo and whose lifelong patron was progressive Latin American leader José Santos Zelaya, the composer’s great-great-grandfather.</p><p style="text-align:justify;">The program also includes pieces by Ginastera, Turina, Greger, Obradors, and Viardot-García.</p><p style="text-align:justify;">THURSDAY, MAY 11, 2023</p><p style="text-align:justify;">6:30 PM | The Mexican Cultural Institute | 2829 16th ST. NW, Washington, DC 20009</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7190066
2023-04-03T21:00:00-04:00
2023-04-13T21:30:06-04:00
The Mansion at Strathmore Presents Dehlinger Program
<p style="text-align:justify;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/393944/3aefb12bbd66037d5bfae262a36b30e3a4ff65f5/original/wilkerson-and-talamantes-singer-headshots.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_xl justify_center border_" />Vocal collaborators Danielle Talamantes and Kerry Wilkerson present a program of original art songs composed by Henry Dehlinger for their voices—with the composer at the piano. Selections include settings of poetry by Dante Alighieri, James Joyce, T.S. Eliot, and Biblical Hebrew texts from <i>Song of Songs</i>.</p><!-- more --><p style="text-align:justify;">There will be two performances on May 18, 2023 at 6:30 pm and 8:30 pm.</p><p style="text-align:justify;">The Mansion At Strathmore is located at 10701 Rockville Pike, Rockville, MD.</p><p style="text-align:justify;"><a class="no-pjax" href="https://www.strathmore.org/events-tickets/what-s-on-in-the-mansion/kerry-wilkerson-danielle-talamantes/" data-link-type="url">Click here to buy tickets</a>.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7056790
2022-10-03T00:00:00-04:00
2023-05-29T12:06:59-04:00
Choralis Premieres Dehlinger Requiem October 30
<p style="text-align:justify;">Choralis, the Washington, DC-area chorus praised by the Washington Post for “the power and rhythmic vitality of its singing,” premieres the Dehlinger <i>Requiem</i> for SATB chorus and orchestra on <a class="no-pjax" href="https://henrydehlinger.com/event/4731299/604675374/dehlinger-requiem" data-link-type="url" contents="October 30, 2022">October 30, 2022</a>. Met soprano Danielle Talamantes and bass-baritone Kerry Wilkerson are featured guest soloists.</p><!-- more --><p style="text-align:justify;">Composed in loving memory of the composer's friend Neil Dellar, who passed away suddenly on September 3, 2020, <a class="no-pjax" href="/requiem" data-link-type="page" data-link-label="Requiem" contents="Requiem"><i>Requiem</i></a> is a partial setting of the Latin Mass for the dead, or <i>Missa pro defunctis</i>. Dehlinger wrote it with the beautiful voices of Choralis, under the direction of Gretchen Kuhrmann, Danielle Talamantes, and Kerry Wilkerson in mind. All were near and dear to Neil, a corporate lawyer with a splendid baritone voice who was active on the board of Choralis. </p><p style="text-align:justify;">The seven-movement work includes settings of traditional Latin texts from the Roman Missal: <i>Introit</i>, <i>Kyrie</i>, <i>Offertory</i>, <i>Sanctus</i>, <i>Agnus Dei</i>, and <i>In paradisum</i>.</p><p style="text-align:justify;">The sixth movement is a new choral and orchestral arrangement of <i>Night Piece</i>, a setting of the eponymous poem by Irish poet James Joyce, which Dehlinger composed in 2019 as part of an art song cycle for voice and piano. Neil was quite fond of the song. Replete with ecclesiastical imagery, it is a reverent, if not haunting portrait of the night sky.</p><p style="text-align:justify;">The final movement opens with the devotional lyric <i>Death, Be Not Proud</i> by sixteenth century English poet, soldier and cleric John Donne. The text, written mostly in iambic pentameter, is the poet's direct address to death personified and is at once metaphorical and metaphysical. It also seemed like a fitting, non-liturgical prelude to the closing <i>In paradisum</i>.</p><p style="text-align:justify;"><strong>When</strong><br>Sunday, October, 30, 2022<br>5:00 PM</p><p style="text-align:justify;"><strong>Where</strong><br>Rachel M. Schlesinger Concert Hall<br>4915 E Campus Drive<br>Alexandria, VA 22311</p><p style="text-align:justify;">Tickets can be purchased <a class="no-pjax" href="https://henrydehlinger.com/event/4731299/604675374/dehlinger-requiem" data-link-type="url" contents="here">here</a>.</p><p style="text-align:justify;"><strong>About Choralis</strong><br>The <a class="no-pjax" href="https://choralis.org/" target="_blank" data-link-type="url" contents="Choralis">Choralis</a> Foundation was established by Artistic Director Gretchen Kuhrmann in 2000 to nurture a passion for choral music through excellent choral performances, professional development opportunities for young soloists and conductors, education and training for young choristers, and community outreach events. Nearly 130 singers perform across two ensembles: Choralis, an auditioned SATB chorus and Ēchos, a semi-professional chamber group. Choralis is committed to programming that includes not only the classical choral repertoire, but compositions of living composers and world music.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7071845
2022-09-30T11:43:46-04:00
2022-09-30T11:43:46-04:00
Concert to Benefit Lewes in Bloom October 8
<p style="text-align: justify;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/34d0ce120caba2c39182c6757b6ab109f3247007/original/daniel-henry-kerry-8932.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="" />The charming beach town of Lewes, Delaware will host a concert to benefit “Lewes in Bloom.” The concert features soprano Danielle Talamantes and bass-baritone Kerry Wilkerson singing tunes from the Great American Songbook, including Dehlinger's highly acclaimed Duke Ellington <a contents="arrangements" data-link-label="Arrangements" data-link-type="page" href="/arrangements">arrangements</a>.</p><!-- more -->
<p style="text-align: justify;">Program will include the music of Arlen, Berlin, Cahn, Ellington, Gershwin, Mercer, Porter and others, as sung by Sinatra, Fitzgerald, Bennett and many more. </p>
<p style="text-align: justify;">When: Saturday, October 8, 2022, 7:00 PM EDT</p>
<p style="text-align: justify;">Where: Groome Church, 601 Savannah Road, Lewes, DE 19958</p>
<p style="text-align: justify;">For tickets go to <a contents="instantseats.com" data-link-label="" data-link-type="url" href="https://www.instantseats.com/index.cfm?fuseaction=home.venue&VenueID=537" target="_blank">instantseats.com</a>.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/7031955
2022-08-05T23:33:27-04:00
2023-05-28T21:31:30-04:00
ACDA Conference Spotlights Dehlinger Choral Works
<p style="text-align:justify;">The American Choral Directors Association will spotlight Henry Dehlinger's choral works for TTBB voices at its 24th Annual Voices United Conference on August 6, 2022 at the Hylton Performing Arts Center in Manassas, VA. Works includes <a class="no-pjax" href="/night-piece-satb" data-link-type="page" data-link-label="Night Piece (SATB)" contents="Night Piece">Night Piece</a>, <a class="no-pjax" href="/bahnhofstrasse-satb" data-link-type="page" data-link-label="Bahnhofstrasse (SATB)" contents="Bahnhofstrasse">Bahnhofstrasse</a> and <a class="no-pjax" href="/memorial-day" data-link-type="page" data-link-label="Memorial Day" contents="Memorial Day">Memorial Day</a>.</p><!-- more -->
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6956001
2022-04-24T19:42:21-04:00
2023-05-22T15:29:26-04:00
Henry Talks About New Premieres On Cooler Classics
<p style="text-align:justify;">Henry was just on “Cooler Classics,” the UK Radio show about all things classical hosted by Peter Lewis. They discussed <i>Kohelet</i>, Henry's choral work that premiered in March, and <i>Cosmic Cycles</i>, a new symphonic project he's composing in partnership with NASA’s Goddard Space Flight Center. <a class="no-pjax" href="https://henrydehlinger.com/news/blog/henry-talks-with-cooler-classics-about-cosmic-cycles" data-link-type="url" contents="Listen here">Listen here</a>.</p><!-- more --><p><strong>COOLER CLASSICS on NCCR RADIO</strong> (UK) - April 24, 2022<br>Hosted by Peter Lewis</p><p><audio controls="" preload="metadata"><source src="https://henrydehlinger.com/files/1173848/coolerclassics-2022-04-22-mp3cut-net.mp3" type="audio/mpeg"></source></audio></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6906448
2022-03-12T00:00:00-05:00
2023-05-22T15:30:01-04:00
Dehlinger Fanfare to Herald NASA's Mega Moon Rocket Rollout
<p style="text-align:justify;"><a class="no-pjax" href="/return-to-the-moon" data-link-type="page" data-link-label="Return to the Moon" contents="Return to the Moon"><i><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/2520ecb7ddb6744c6c3fbeeff5c4e63354968901/original/sls-block-1-in-flight-nasa-crop.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_xl justify_center border_" alt="NASA Space Launch System Rocket" />Return to the Moon</i></a>, a fanfare for brass and percussion, premieres March 17. Heralding NASA’s historic Artemis missions to the moon and beyond, Dehlinger's powerful anthem will mark the space agency’s rollout of its <i>Space Launch System</i>, the world's most powerful rocket, at the televised Kennedy Space Center ceremony.</p><!-- more --><p style="text-align:justify;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/21X5lGlDOfg" title="YouTube video player" width="560"></iframe></p><p style="text-align:justify;">Live coverage for the rollout begins at 5 p.m. EDT on Thursday, March 17, 2022 and will include live remarks from NASA Administrator Bill Nelson and other guests. Coverage will air on <a class="no-pjax" href="https://www.nasa.gov/multimedia/nasatv/index.html#public" target="_blank" data-link-type="url" contents="NASA Television">NASA Television</a>, the <a class="no-pjax" href="https://www.nasa.gov/connect/apps.html" target="_blank" data-link-type="url" contents="NASA app">NASA app</a>, and the agency’s <a class="no-pjax" href="https://www.nasa.gov/nasalive" target="_blank" data-link-type="url" contents="website">website</a>. </p><p style="text-align:justify;"><i>Return to the Moon</i> will be performed by the <a class="no-pjax" href="https://ucfbands.com/" target="_blank" data-link-type="url" contents="University of Central Florida Marching Band">University of Central Florida Symphonic Band</a> as the Space Launch System (SLS), the 322-foot-tall rocket with the Orion crew capsule up top, begins its 4-mile journey from the Vehicle Assembly Building to Launch Pad 39B at NASA’s Kennedy Space Center in Florida. </p><p style="text-align:justify;">At the pad, NASA will conduct a final pre-launch test known as a wet dress rehearsal, which includes loading the SLS propellant tanks and conducting a launch countdown. </p><p style="text-align:justify;">NASA will also hold a media teleconference on Monday, March 14 to discuss the upcoming debut of the agency’s mega moon rocket and integrated spacecraft for the uncrewed Artemis I lunar mission, which will launch this spring. </p><p style="text-align:justify;">Artemis I will be the first in a series of increasingly complex missions that will provide the foundation for human deep space exploration. Through the Artemis missions, NASA will land the first woman and the first person of color on the Moon, paving the way for a long-term lunar presence and serving as a steppingstone on the way to Mars.</p><p>For more on NASA’s Artemis Program, please visit:<a class="no-pjax" href="https://www.nasa.gov/specials/artemis" target="_blank" data-link-type="url" contents=" https://www.nasa.gov/specials/artemis"> https://www.nasa.gov/specials/artemis</a>.</p><div class="ml-form-embedContainer ml-subscribe-form ml-subscribe-form-2268643" id="mlb2-2268643"><div class="ml-form-align-center"><div class="ml-form-embedWrapper embedForm">
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Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6945728
2022-03-10T00:00:00-05:00
2023-05-28T21:32:24-04:00
NASA, NatPhil Explore the Universe With New Dehlinger Suite
<p>In collaboration with NASA’s Goddard Space Flight Center, the National Philharmonic presents Dehlinger's <a class="no-pjax" href="https://nationalphilharmonic.org/cosmic-cycles/" target="_blank" data-link-type="url" contents="Cosmic Cycles"><i>Cosmic Cycles</i></a> in May 2023. This musical exploration of the universe and its origins will be performed live against the backdrop of out-of-this-world images from the Hubble and James Webb Space Telescopes.</p><!-- more --><p style="text-align:justify;">There will be two performances of Dehlinger's magnum opus:</p><ul>
<li style="text-align:justify;">
<a class="no-pjax" href="https://nationalphilharmonic.org/event/cosmic-cycles-capone/" target="_blank" data-link-type="url" contents="May 11, 2023">May 11, 2023</a> - at Capital One Hall in Tysons, VA at 7:30 PM<br> </li>
<li style="text-align:justify;">
<a class="no-pjax" href="https://nationalphilharmonic.org/event/cosmic-cycles/" target="_blank" data-link-type="url" contents="May 13, 2023">May 13, 2023</a> - at the Music Center at Strathmore in North Bethesda, MD at 8:00 PM</li>
</ul><p style="text-align:justify;">NatPhil's collaborations with NASA's Goddard Space Flight Center are among its most well-attended concert events. It is especially popular with children, who can enjoy educational materials in the lobby before and after the concert and during intermission.</p><p style="text-align:justify;">“There’s a massive screen above the stage where the imagery will be projected and the orchestra underneath,” says NatPhil conductor Piotr Gajewski about the cinematic setup. “It’s a very large orchestra, maybe 90, almost 100 musicians because there are some very special instruments: harps, celesta, lots of different percussion, English horn, contrabassoon.”</p><p style="text-align:justify;">"NASA has made a huge impact on our culture," Dehlinger says. "At Goddard, they have seven animators on staff and a full production operation whose sole mission is to share NASA’s most exciting science stories with wide and diverse audiences."</p><p style="text-align:justify;">"In the past, our friends at Goddard created visualizations to accompany iconic musical works that evoke space, such as Gustav Holst's <i>The Planets</i>," Dehlinger continues. "This time, the NASA Goddard team will create the visualizations first. Then I compose the music. <i>Cosmic Cycles</i> will be a series of visual tone poems that contain neither dialogue nor vocalized narration. Its tone will be set by the juxtaposition of stunning images and original music."</p><p style="text-align:justify;">The new symphonic suite will consist of seven movements:</p><ol>
<li><i>The Sun, Source of Life</i></li>
<li><i>Earth, Our Home Planet</i></li>
<li><i>The Moon, Our Barren Satellite</i></li>
<li><i>Changing Seasons</i></li>
<li><i>Planetary Fantasia</i></li>
<li><i>The Travelers</i></li>
<li><i>Echoes of the Big Bang</i></li>
</ol><p style="text-align:justify;">For more on Henry Dehlinger, please visit <a class="no-pjax" href="/about" data-link-type="page" data-link-label="About" contents="https://HenryDehlinger.com/about">https://HenryDehlinger.com/about</a>.</p><p style="text-align:justify;"><strong>From NatPhil’s 2022-23 Season Announcement:</strong></p><p style="text-align:justify;">Join National Philharmonic for a season full of familiar favorites, out-of-this-world new works, and pops performances featuring some of the best and brightest starts in the biz. Highlights include:</p><ul>
<li style="text-align:justify;">World-premiere works by composers Henry Dehlinger and Adolphus Hailstork,<br> </li>
<li style="text-align:justify;">Performances of choral-orchestral masterpieces by Berlioz, Handel, J.S. Bach, and Orff with the National Philharmonic Chorale under the direction of Music Director Piotr Gajewski and Chorale Artistic Director Stan Engebretson,<br> </li>
<li style="text-align:justify;">Performances of symphonies by Chevalier de Saint-Georges, Farrenc, Mahler, Beethoven, and a special 150th birthday tribute to Rachmaninoff,<br> </li>
<li style="text-align:justify;">Renowned guest artists, including violinists Gil Shaham and Sarah Chang; tenor Norman Shankle; pianists Claire Huangci and Brian Ganz; and more,<br> </li>
<li style="text-align:justify;">Appearances by celebrated Broadway performers: singers Stephanie J. Block and Michael Maliakel and Christopher Jackson and Aisha Jackson; and dancer Luke Hawkins, under the direction of Principal Pops Conductor Luke Frazier.</li>
</ul><p style="text-align:justify;">For more on NatPhil’s 2022-23 season, please visit: <a class="no-pjax" href="https://nationalphilharmonic.org/season-2223/" target="_blank" data-link-type="url" contents="https://nationalphilharmonic.org/season-2223/">https://nationalphilharmonic.org/season-2223/</a>.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6906278
2022-02-24T00:00:00-05:00
2022-04-24T08:37:10-04:00
KOHELET - New Major Choral Work Premieres March 20th
<p style="text-align: justify;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/a768721b29603706a73f8ef5c7f7783e9f02046b/original/kohelet-crown-wide.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_xl justify_center border_none" alt="" />Next in the 2021-22 season’s slate of premieres is <a contents="Kohelet" data-link-label="Kohelet" data-link-type="page" href="/kohelet"><em>Kohelet</em></a>. Commissioned by the <a contents="Washington Master Chorale" data-link-label="" data-link-type="url" href="https://www.washingtonmasterchorale.org/" target="_blank">Washington Master Chorale</a>, <a contents="Santa Clara Chorale" data-link-label="" data-link-type="url" href="https://www.scc.org/" target="_blank">Santa Clara Chorale</a> and <a contents="Santa Clara University Concert Choir" data-link-label="" data-link-type="url" href="https://www.scu.edu/cas/music/ensembles/concert-choir/" target="_blank">Santa Clara University Concert Choir</a>, Dehlinger’s new major choral work premieres <a contents="March 20, 2022" data-link-label="" data-link-type="url" href="https://henrydehlinger.com/event/4288685/563317481/kohelet-washington-master-chorale-world-premiere" target="_blank">March 20, 2022</a>, in Washington, DC, and enjoys its second performance on <a contents="May 21, 2022" data-link-label="" data-link-type="url" href="https://henrydehlinger.com/event/3099973/569019428/kohelet-santa-clara-chorale-santa-clara-university-concert-choir-and-san-jose-chamber-orchestra" target="_blank">May 21, 2022</a>, in Santa Clara, CA.</p><!-- more -->
<p style="text-align: justify;">The composer started work on <em>Kohelet</em> early in 2018. By spring, Dehlinger had sketched out the first and third movements. At a private salon concert in late April in Warrenton, Virginia, Dehlinger presented the third movement love duet with his friends Kerry Wilkerson and Metropolitan Opera soprano Danielle Talamantes, for whose voices he penned the bass-baritone and soprano solo parts, respectively.</p>
<p style="text-align: justify;">“It was kismet,” Dehlinger recalls, “Among the guests was Tom Colohan, artistic director of the Washington Master Chorale. Tom and I instantly became friends. It turns out we were both connected to Santa Clara University, my alma mater in Northern California where for eight years Tom served on the music faculty as director of choral activities."</p>
<p style="text-align: justify;">Their friendship became an artistic collaboration when Tom suggested the Washington Master Chorale and Santa Clara Chorale, led by choral conductor Scot Hanna-Weir, mount the first two performances of <em>Kohelet</em>.</p>
<p style="text-align: justify;"><em>Kohelet</em> combines Biblical Hebrew verse with lush, modal melodies, energetic meters and colorful harmonic textures. Dehlinger arranged the text from the Book of Ecclesiastes and Song of Songs in the original Hebrew. As it happens, the composer’s wife Lauren—to whom he dedicated the work—is a Hebrew speaker and linguist by training. Lauren transliterated the Hebrew text for him.</p>
<p style="text-align: justify;">One of twenty-four books of the Tanakh, or Hebrew Bible, Ecclesiastes is also one of the canonical Wisdom Books in the Old Testament of most Christian denominations. The word, Ecclesiastes, is the Greek translation of the Hebrew word, <em>Kohelet</em>, which means “one who gathers others together” or, more commonly, “teacher.” The bass-baritone soloist sings the part of the Kohelet—King Solomon according to tradition—while the soprano soloist sings the part of his expectant bride in the third movement love duet adapted from Song of Songs.</p>
<p>Dehlinger laughs as he remembers a friend's recent quip that <em>Kohelet</em> was the love child of Leonard Bernstein’s <em>Chichester Psalms</em> and Carl Orff’s <em>Carmina Burana</em>. </p>
<p style="text-align: justify;">“There may be something to that,” Dehlinger says. “I certainly drew inspiration for <em>Kohelet</em>, in part, from the Bernstein <em>Chichester Psalms</em>. It's a work I performed many times as a singer with the San Francisco Boys Chorus. Like <em>Chichester Psalms, Kohelet </em>is an ecumenical blend of Judaic antiphonal singing and Christian choral tradition. In fact, my original vision was for <em>Kohelet</em> to be a sort of Solomonic sequel to the Davidic psalms.”</p>
<p style="text-align: justify;">And <em>Carmina Burana</em>? </p>
<p style="text-align: justify;">“The feeling you get from that big, spine-tingling opening in <em>O Fortuna</em> [Movement I of <em>Carmina Burana</em>] is definitely there in the opening of <em>Kohelet</em>,” Dehlinger adds. “But it’s not sinister as in the Orff. The <em>Kohelet</em> opening is very modal, but the positive, uplifting character of the major mode shines through.”</p>
<p style="text-align: justify;">"For me," Dehlinger says, "<em>Kohelet</em> is an examination of the age-old question about the meaning of life. Its wise sayings are embedded in the popular consciousness: <em>Vanity of vanities, all is vanity. There is nothing new under the sun. For everything there is a season</em>, and, perhaps my favorite, <em>The race is not to the swift</em>.”</p>
<p style="text-align: justify;">"If the audience takes a moment to ponder these after listening to the work," the composer concludes, "it will have been a success."</p>
<p style="text-align: justify;">The March 20th world premiere will feature Dehlinger's reduced orchestration for 2 trumpets, 2 horns, bass trombone, timpani, percussion, harp, organ and string quartet (13 players). 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Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6632434
2021-09-28T00:00:00-04:00
2022-03-15T10:10:18-04:00
Dehlinger Rhapsody Opens New Season at National Philharmonic
<p><a contents="National Philharmonic" data-link-label="" data-link-type="url" href="https://nationalphilharmonic.org/" target="_blank"><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/12df1272d0d0386251847ed54c917119a32a0154/original/danielle-natphil-logo-16-9.jpg" class="size_orig justify_center border_none" alt="" /></a></p>
<p style="text-align: justify;"><a contents="National Philharmonic" data-link-label="" data-link-type="url" href="https://nationalphilharmonic.org/" target="_blank">National Philharmonic's</a> 2021-22 season opens October 16, 2021 with the premiere of Dehlinger’s <a contents="The Love Song of J. Alfred Prufrock" data-link-label="Prufrock" data-link-type="page" href="/prufrock"><em>The Love Song of J. Alfred Prufrock</em></a>, a large-scale rhapsody for voice and orchestra composed for soprano <a contents="Danielle Talamantes" data-link-label="" data-link-type="url" href="http://www.danielletalamantes.com" target="_blank">Danielle Talamantes</a>. Music Director & Conductor Piotr Gajewski leads the orchestra.</p><!-- more -->
<p>The opening night performance is at the Music Center at Strathmore in North Bethesda, MD on Saturday, October 16, 2021 at 8:00PM. </p>
<p>Danielle and NatPhil return for a second performance at the brand-new Capital One Hall in Tysons Corner, Virginia on Sunday, October 17, 2021 at 3:00 PM.</p>
<p>For more information and to buy tickets, visit the <a contents="Events" data-link-label="Events" data-link-type="page" href="/events">Events</a> page.</p>
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Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6654722
2021-06-09T20:17:51-04:00
2022-08-06T11:06:45-04:00
Henry Discusses All Things Choral in ACDA Interview
<p style="text-align: justify;"><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/1031aba10226115177cb8115aba0092f3f2f6253/original/henry-sketch-full-length.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_right border_none" alt="" />On June 1, 2021, Kerry Wilkerson with Virginia ACDA—the Virginia chapter of the American Choral Directors Association—spoke with Dehlinger. In this <a contents="insightful interview" data-link-label="" data-link-type="url" href="https://static1.squarespace.com/static/5b4f6348620b85811c6acb07/t/60bf96ff3f26db4679d45949/1623168769623/FINAL+Virginia+Harmony_June+1+2021+EDITION.pdf" target="_blank">insightful interview</a>, Dehlinger discusses what inspires his choral works, large and small, and offers insight into his distinct compositional voice and aesthetic.</p><!-- more -->
<p style="text-align: justify;">The two also discuss some of his landmark choral works, such as <a contents="Kohelet," data-link-label="Kohelet" data-link-type="page" href="/kohelet"><em>Kohelet</em>,</a> his cantata in five movements that premieres in spring 2022 and features Wilkerson as the bass-baritone soloist. They also talk about his latest <a contents="Christmas hymns and carols" data-link-label="Christmas & Holiday" data-link-type="page" href="/christmas-holiday">Christmas hymns and carols</a> for mixed chorus. </p>
<p style="text-align: justify;">Read the interview below or in the <a contents="Virginia ACDA newsletter" data-link-label="" data-link-type="url" href="https://static1.squarespace.com/static/5b4f6348620b85811c6acb07/t/60bf96ff3f26db4679d45949/1623168769623/FINAL+Virginia+Harmony_June+1+2021+EDITION.pdf" target="_blank">Virginia ACDA newsletter</a>. </p>
<h3>Sing for Virginia: Meet the Composer<br><span class="font_small">A conversation between Kerry Wilkerson and Henry Dehlinger</span>
</h3>
<p style="text-align: justify;"><em>This is the second of a series of Meet the Composer conversations intended to introduce all of you to the wealth of talent in our state. Kerry recently had the opportunity to chat with Henry Dehlinger, an Oakton, VA-based composer: </em></p>
<p style="text-align: justify;"><strong>KW: Where are you based?</strong><br>HD: My wife Lauren and I live in Oakton, Virginia, just outside Washington, DC. We also spend part of the year in California, where we both grew up</p>
<p style="text-align: justify;"><strong>KW: When did you start composing?</strong><br>HD: I started composing in earnest in 2015. Prior to that, I was arranging. I often quip that arranging was my gateway drug to composing.</p>
<p style="text-align: justify;"><strong>KW: What is your primary instrument?</strong><br>HD: The piano is my primary instrument, always has been, although I came to my love for the human voice quite honestly. During my formative years, I sang with the San Francisco Boys Chorus. Now that I am a choral composer, I have come full circle, and I am grateful for that.</p>
<p style="text-align: justify;"><strong>KW: What is your favorite subject matter for choral works?</strong><br>HD: I am often asked, “What inspires you?” I derive my inspiration from a wide range of subjects, both secular and sacred. That said, most of my catalog is secular, and poetry inspires most of these works. My favorites include <a contents="Night Piece" data-link-label="Night Piece (SATB)" data-link-type="page" href="/night-piece-satb"><em>Night Piece</em></a> with text by James Joyce. The poetry is replete with ecclesiastical imagery. My treatment of it starts as a subdued choral meditation that swells with colorful harmonies to give it the sense of celebrating the night sky.</p>
<p style="text-align: justify;"><a contents="Bahnhofstrasse" data-link-label="Bahnhofstrasse (SATB)" data-link-type="page" href="/bahnhofstrasse-satb"><em>Bahnhofstrasse</em></a>, also a poem by James Joyce, underscores the fleeting nature of youth. It focuses on a moment in time when the poet experienced debilitating pain while walking down the street. It stopped him cold. The musical language is minimalist and meditative, with repeating cycles of broken chords in the accompaniment that reiterate a simple, eerie motif while the melody floats wistfully above. It’s mournful and plaintive and one of my most popular works.</p>
<p style="text-align: justify;">It’s not all doom and gloom, though. I also enjoy writing choral settings of love poems. My latest is <a contents="Images" data-link-label="Images1" data-link-type="page" href="/images1"><em>Images</em></a>, an a cappella setting of Richard Aldington’s modernist love poem, where I’ve combined precise images of longing with soaring melodies and seductive harmonic progressions. Poems such as these draw their inspirations from the inner depths of our psyches. The musical setting should sweep audiences - and interpreters - from understanding the text with the head to feeling the combined music and text with the heart. </p>
<p style="text-align: justify;">The only way to do that well is to select texts with which I, as a composer, can be truly in love. I think Poulenc said it best: “The musical transposition of a poem must be an act of love, not a marriage of con-venience.”</p>
<p style="text-align: justify;">Works by other composers can also be sources of inspiration. A friend of mine once quipped that <a contents="Kohelet" data-link-label="Kohelet" data-link-type="page" href="/kohelet"><em>Kohelet</em></a>, my cantata in five movements premiering this coming season, is the love child of Leonard Bernstein and Carl Orff. There is really something to that, though. In <em>Kohelet</em>, which is a sacred work, I combined Biblical Hebrew text and lush, modal melodies (think Bernstein's <em>Chichester Psalms</em>) with colorful harmonic textures and energetic meters (think Orff's <em>Carmina Burana</em>). I think everyone should also know that I composed the bass-baritone solo in <em>Kohelet</em> especially for your voice, Kerry.</p>
<p style="text-align: justify;">My current project is also sacred - a <em>Requiem</em> for SATB chorus, soloists, and orchestra in memory of a recently departed friend, Neil Dellar, who was very active in the choral community here in the Washington metro area.</p>
<p style="text-align: justify;">Regardless of inspiration, once I start putting notes on staves, it is musical ideas that inform my creative decisions. A musical idea can be a lyrical melody or a theme. It can be a leitmotif. I’ll create a leitmotif to serve as a distinct musical "voice" for each major character or idea in a choral work. It can be adapted in many ways to complement the evolving story, regardless of whether I am scoring for a small ensemble or large chorus and orchestra. It can also be a simple chord progression or a richly textured opening chord full of impressionistic colors and gorgeous dissonances.</p>
<p style="text-align: justify;">I then weave these fragments into meaningful musical experiences, my own vernacular, if you will. The result is a sound that is unique and recognizable in all my choral compositions. It reflects the present yet harkens to the past. It is evocative but also familiar, universal but also personal.</p>
<p style="text-align: justify;"><strong>KW: What is your favorite choral ensemble? SSAA, TTBB, SATB?</strong><br>HD: I write mostly for SATB chorus, but I have also written TTBB arrangements of my more popular choral works. One that I composed specifically for TTBB chorus is Memorial Day. It is a tribute to the fallen men and women of the U.S. armed forces with text by Joyce Kilmer, an American poet and fallen hero, who was killed by an enemy sniper’s bullet during World War I.</p>
<p style="text-align: justify;">Someday, I would love to compose works for boys or girls chorus.</p>
<p style="text-align: justify;"><strong>KW: Do you like to include instruments/instrumentation with choral compositions?</strong><br>HD: Absolutely. My settings with accompaniment run the gamut - piano, chamber ensemble, orchestra. The initial treatment depends on where I think the piece is headed first in terms of performance – a small chorale, a large chorale, a chamber group, or a larger instrumental group. Quite a number of my works have several instrumentations available as I see how the interest is developing and who’s interested in performing them. I will say, though, there’s nothing like being able to write for a large chorus and orchestra because it gives me an opportunity to add interesting colors and dramatic weight. </p>
<p style="text-align: justify;"><strong>KW: Do you compose exclusively for choruses, or do you have other works you would like for us to know about?</strong><br>HD: One of my major works is a setting of <a contents="The Love Song of J. Alfred Prufrock" data-link-label="Prufrock" data-link-type="page" href="/prufrock"><em>The Love Song of J. Alfred Prufrock</em></a> by T.S. Eliot for orchestra and solo soprano. It’s premiering this fall with the National Philharmonic. I also love composing for chamber ensembles. I recently completed two works for cello and piano. The first is <a contents="Fantasia in Groove" data-link-label="Fantasia in Groove" data-link-type="page" href="/fantasia-in-groove"><em>Fantasia in Groove</em></a>, a concert suite of urban impressions, which evokes the fast-paced, stop-and-go groove of big-city life. The second is my <a contents="Cello Sonata in C Minor" data-link-label="Cello Sonata" data-link-type="page" href="/cello-sonata"><em>Cello Sonata in C Minor</em></a>.</p>
<p style="text-align: justify;"><strong>KW: Where can we listen to your works? YouTube? Pro webpage? etc.</strong><br>HD: I invite everyone to visit my website at <a contents="https://HenryDehlinger.com" data-link-label="News" data-link-type="page" href="/news">https://HenryDehlinger.com</a>. All of my works are there, along with accompanying audio, program notes, and links to purchase scores and choral octavos. I suppose this is a good time to mention that I just released a new album with you and your lovely wife, soprano Danielle Talamantes. It’s called <a contents="At That Hour" data-link-label="At That Hour" data-link-type="page" href="/at-that-hour"><em>At That Hour</em></a>, and it features my art songs based on some of the pieces we’ve talked about here. As you know, we’ve gotten a great response and Spotify has it on its <em>High Notes</em> playlist, representing “the best new releases in opera and vocal music.”</p>
<p style="text-align: justify;">You can also hear my works on all of the widely available channels - Apple Music, Amazon, YouTube, Pandora, Tidal, Deezer, Idagio, and Primephonic.</p>
<p style="text-align: justify;"><strong>KW: Are you available for commissions?</strong><br>HD: Absolutely!</p>
<p style="text-align: justify;"><strong>KW: How much time do you need for a commission?</strong><br>HD: For a short, four-part choral work under five minutes with piano accompaniment or unaccompanied, you should give me two to four weeks to complete. Perhaps, one to four months for a twenty-minute choral work accompanied by a chamber ensemble. You need to give at least six months, perhaps longer, for large-scale choral works over thirty minutes with orchestral accompaniment. Keep in mind that a composer is likely working on multiple projects at the same time.</p>
<p style="text-align: justify;"><strong>KW: What else would you like to say to the choral directors reading this?</strong><br>HD: I suppose the thing that’s under wraps is that I’m working on a body of <a contents="Christmas music" data-link-label="Christmas & Holiday" data-link-type="page" href="/christmas-holiday">Christmas music</a>. My latest offering is <a contents="Ring Out, Ye Bells" data-link-label="Ring Out, Ye Bells!" data-link-type="page" href="/ring-out-ye-bells"><em>Ring Out, Ye Bells</em></a>, a joyous and accessible choral setting of African American poet Paul Laurence Dunbar’s reverent Christmas hymn. There’s also <a contents="Hodie!" data-link-label="Hodie!" data-link-type="page" href="/hodie"><em>Hodie!</em></a> - a new setting of the joyous Latin text. Also check out <a contents="I Heard the Bells on Christmas Day" data-link-label="I Heard the Bells on Christmas Day" data-link-type="page" href="/i-heard-the-bells-on-christmas-day"><em>I Heard the Bells on Christmas Day</em></a>, a new choral setting of Henry Wadsworth Longfellow’s famous poem, and <a contents="Mistletoe" data-link-label="Mistletoe" data-link-type="page" href="/mistletoe"><em>Mistletoe</em></a>,a lively setting of Walter de la Mare’s much-loved Christmas poem, sung in two-and four-part round. At some point, I’ll get these recorded, too. For now, I’m just having a ball reimagining holiday music the way I want to hear it.</p>
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Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6623272
2021-05-06T13:51:58-04:00
2022-02-25T09:16:46-05:00
PBS|WETA Broadcasts NatPhil Concert of New Dehlinger Work
<p><a contents="Amore &amp; Mozart" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=vsq-ejaRzjs" target="_blank"><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/9d14433a1debe7f473591dc031160d467f89468c/original/aandmmaxresdefault.jpg" class="size_orig justify_center border_none" alt="Amore & Mozart" /></a>Tune in Sunday, May 23, 2021 at 2PM Eastern to National Philharmonic's FREE broadcast performance of <a contents="Amore" data-link-label="Amore e 'l cor gentil sono una cosa" data-link-type="page" href="/amore-e-l-cor-gentil-sono-una-cosa"><em>Amore</em></a>, Henry's new love duet for soprano, baritone, and orchestra. <em>Amore</em> kicks off NatPhil’s livestream concert, <em>Amore & Mozart</em>, which will be simulcast on <a contents="WETA" data-link-label="" data-link-type="url" href="https://weta.org/watch/shows/national-philharmonic" target="_blank">WETA</a>, Washington, DC's leading public broadcasting station.</p><!-- more -->
<p>The full title of the work – <em>Amore e 'l cor gentil sono una cosa</em> – translates to “Love and the gentle heart are one and the same,” and Henry wrote it for his dear friends Jennifer and Eddie’s nuptials in Florence, Italy. (What better text could he set than a love sonnet in Italian by revered Florentine poet Dante Alighieri?)</p>
<p>Led by Maestro Piotr Gajewski, the concert features the composer's favorite operatic duo of Met soprano Danielle Talamantes and bass-baritone Kerry Wilkerson – who sang it at the wedding!</p>
<p>This performance promises to be a superlative showcase of Danielle and Kerry’s breathtaking vocal talent and NatPhil’s beautifully nuanced and evocative sound.</p>
<p>As part of NatPhil’s virtual 2020-21 season, it will come to your home at no charge from the Music Center at Strathmore in North Bethesda, Maryland.</p>
<p>Whether you’re tuning in solo or having a watch party with friends, dressed in your finest attire for Instagram worthy pictures or lounging in your pajamas with a hot latte, join Henry May 23rd at 2:00 PM Eastern as NatPhil brings you <em>Amore</em>.</p>
<p>Enjoy the show!</p>
<p style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="480" src="https://www.youtube.com/embed/CvZgatvW3iQ" title="YouTube video player" width="854"></iframe></p>
<h3>How to Watch <em>Amore & Mozart</em>
</h3>
<p>Watching is free and easy. If it’s your first time streaming a NatPhil concert, we suggest you set up at 1:45pm on Sunday, May 23, 2021. Here’s how:</p>
<ol> <li>Go to <a contents="nationalphilharmonic.org" data-link-label="" data-link-type="url" href="https://nationalphilharmonic.org" target="_blank">nationalphilharmonic.org</a> on the device of your choice.<br> </li> <li>Click on the event countdown box.<br> </li> <li>Click an option: “Watch, No Charge” or “Login” and complete the form.<br> </li> <li>Choose where you would like to view the concert:<br> <a contents="National Philharmonic Website" data-link-label="" data-link-type="url" href="https://nationalphilharmonic.org" target="_blank">National Philharmonic Website</a> (the video will show on the individual event detail page)<br> <a contents="Vimeo" data-link-label="" data-link-type="url" href="https://vimeo.com/user65533678" target="_blank">Vimeo</a><br> <a contents="YouTube" data-link-label="" data-link-type="url" href="https://www.youtube.com/channel/UCJH-DhrkNAwPN0NJmsL8i9Q" target="_blank">YouTube</a><br> <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/NationalPhilharmonic/" target="_blank">Facebook</a>
</li>
</ol>
<p>If we are “live,” the video will start playing at that moment. If it does not, select the “Play” button in the lower left corner of the screen to start the video. Once it starts playing, look on the lower right corner of the “screen” for another little icon that will enlarge the video to fill up the full screen of your device.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6530997
2021-01-26T13:35:54-05:00
2023-05-22T15:32:06-04:00
Gramophone Raves About Dehlinger's “At That Hour”
<p><i>Gramophone's</i> Donald Rosenberg pens a rave review of Dehlinger's <a class="no-pjax" href="/at-that-hour" data-link-type="page" data-link-label="At That Hour" contents="At That Hour"><i>At That Hour</i></a> in the February 2021 issue. Sung by Danielle Talamantes and Kerry Wilkerson, "The songs are diverse in atmosphere... and the writing is rich, often rapturous, as voices and piano meld with urgent purpose." <a class="no-pjax" href="/files/1105974/Gramophone%20Review%20-%20Feb%202021%20-%20At%20That%20Hour" target="_blank" data-link-type="file" data-link-label="Gramophone Review - Feb 2021 - At That Hour" contents="Read the full review">Read the full review</a>.</p><!-- more -->
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6495395
2020-12-09T13:36:18-05:00
2023-05-22T15:32:18-04:00
Henry Announces the Publication of His New Cello Sonata
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/da4946cbec652e4e2b7dc7caa44bf9c1240d6f9e/original/cello-sonata-cover.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_" />Henry's three-movement <a class="no-pjax" href="/cello-sonata" target="_blank" data-link-type="page" data-link-label="Cello Sonata" contents="Cello Sonata in C Minor"><i>Cello Sonata in C Minor</i></a> opens with images of wild, windy moors. The second movement is a mesmerizing fantasy with modal melodies and wistful phrases. The reverie yields to fitful bursts of serial arpeggios with a hint of funk in the final movement. Sheet music is now available at <a class="no-pjax" href="https://www.jwpepper.com/11335292.item#/submit" target="_blank" data-link-type="url" contents="J.W. Pepper">J.W. Pepper</a>.</p><!-- more --><p>Henry was inspired to write his first cello sonata because of his collaboration with a talented young cellist from Boston, named Carolyn Regula. The fact that cello music is his wife Lauren’s absolute favorite made his decision to write a cello sonata all the easier. </p><p>But first, the backstory. </p><p>In early spring 2020, Henry completed his <a class="no-pjax" href="/preludes-of-t-s-eliot" data-link-type="page" data-link-label="Preludes of T.S. Eliot" contents="Preludes of T.S. Eliot"><i>Preludes of T.S. Eliot</i></a>, a four-movement chamber work for soprano, cello, and piano, which he wrote for soprano Danielle Talamantes. It would have premiered in April, if not for the wave of postponements and cancellations due to the Coronavirus outbreak. </p><p>With live performances down to a trickle, Henry and Danielle decided they would have to premiere <i>Preludes</i> virtually. </p><p>All they needed to make it happen was a darn good cellist! </p><p>Enter Carolyn! </p><p>They invited Carolyn to complete the trio for this project. Danielle became acquainted with Carolyn through <i>Close Encounters With Music</i>, which presents thematic concerts of chamber music in the Berkshires of western Massachusetts. </p><p>Carolyn has an impressive resume. She held her first principal chair at age 11 and won her first concerto competition at age 15. As <a class="no-pjax" href="https://www.carolynregula.com/cello-doll-videos" target="_blank" data-link-type="url" contents="The Cello Doll">The Cello Doll</a>, her colorful alter ego, she produces edgy classical music videos with a Gothic flare, which have gone viral! </p><p>While watching one of Carolyn’s videos, Lauren dropped Henry a hint that it might be time to bring out his inner Yo-Yo Ma and compose a cello sonata—one which The Cello Doll might find engaging. </p><p>The result is <i>Cello Sonata in C Minor</i> for cello and piano. </p><p>At first hearing, it may seem less a sonata than a suite. While there is a cross-thematic unity that encompasses the entire work, each of the three movements is distinct. </p><p>The first movement, <i>Allegro moderato</i>, conjures images of wild, windy moors. It is a dark, untamed landscape but rendered as "traditional" classical music. </p><p>The musical language is minimalist, comprised of repeating cycles of broken chords in the piano accompaniment. They reiterate a precise pattern of legato sixteenth notes from which the <i>agitato</i> cello melody emerges. A dialogue later develops between cellist and pianist, a playful call-and-response that heralds the closing of the movement. </p><p>In the second movement, <i>Adagio cantabile</i>, one can imagine swaying palm trees and the smell of jasmine in a mesmerizing biblical fantasy of Samson and Delilah or David and Bathsheba. A slow, modal cello melody opens the movement. It acquires a melancholic character with the introduction of the piano accompaniment. </p><p>There is a wistful, almost reverent, feel as the melody swells into a tender exultation. The movement closes, almost naturally, as the opening melody unites again with the harmony of the opening piano accompaniment. </p><p>The third movement, <i>Allegro energetico</i>, begins with striking dissonant chords, jolting us from the blissful reverie of the second movement. Fitful bursts of serial arpeggios juxtapose with melodic interludes. </p><p>The cello later starts a walking bass line with a touch of funk that sets a new mood and tonality before handing it off to the piano and initiating a sultry new melody. Multiple musical arguments that incorporate themes from the first two movements lead back home to conclude the work.</p><div class="ml-form-embed" data-account="2106136:c8c2l2s1h5" data-form="2822462:a7u2e7"> </div>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6477639
2020-12-01T13:00:00-05:00
2021-04-10T10:55:18-04:00
Listen to Henry’s Recent Interview on NCCR Radio’s Cooler Classics Program
<p><audio controls="" preload="metadata" style=" width:940px;"><source src="https://henrydehlinger.com/files/1094864/11-15-2020-cooler-classics-interview.mp3" type="audio/mpeg"></source></audio></p>
<p>On November 15, 2020, Henry’s interview with Peter Lewis aired in the U.K. on NCCR Radio’s <em>Cooler Classics</em> program. They discussed Henry’s new album, <a contents="At That Hour" data-link-label="At That Hour" data-link-type="page" href="/at-that-hour"><em>At That Hour</em></a>, his compositional voice, and the vocal talent of Danielle Talamantes and Kerry Wilkerson.</p><!-- more -->
<p>You can listen to the interview on the audio player above. It starts at about 24:05.</p>
<div class="ml-form-embed" data-account="2106136:c8c2l2s1h5" data-form="2822462:a7u2e7"> </div>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6466635
2020-11-19T13:40:00-05:00
2023-05-07T10:34:43-04:00
New Choral Memorial to the Fallen Men and Women of the U.S. Armed Forces
<p><a class="no-pjax" href="https://www.jwpepper.com/11324395.item#/submit" target="_blank" data-link-type="url" contents=""><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/b6ed1f7deab00d994b81472b0bb3f561e4628ea3/original/memorial-day-cover.png/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_left border_" /></a>Henry's new choral memorial to the fallen men and women of the U.S. armed forces is available now from <a class="no-pjax" href="https://www.jwpepper.com/11324395.item#/submit" target="_blank" data-link-type="url" contents="J.W. Pepper">J.W. Pepper</a>. Scored for TTBB chorus (An SATB version is on the way), <i>Memorial Day</i> is a setting of American poet and fallen hero Joyce Kilmer's solemn poem.</p><!-- more --><h4>The Backstory</h4><p>Henry's friend and artistic collaborator Kerry Wilkerson knows a thing or two about patriotic music. In 2018, he retired from the U.S. Army Chorus, one of the few professional men’s choruses in the United States. It has a long-established reputation for excellence in the performance of men's choral literature, from military music and patriotic standards to pop, Broadway, folk, and classical music. </p><p>Kerry challenged Henry to compose a choral setting of text with a patriotic American theme for four-part men’s chorus. Not one to shy from a challenge, Henry accepted. </p><p>Which text to choose? </p><p>The composer's friend and neighbor, Jenny Letowt, suggested he would find his answer among the poetry of Joyce Kilmer. She lent Henry her copy of <i>Trees & Other Poems</i> by Kilmer, which he read and fell in love with. </p><p>Kilmer was a celebrated American writer, best known for his 1913 poem, <i>Trees</i>. Literary critics, from Kilmer’s time to the present, fault the poem as being overly sentimental and romantic. Yet many readers, Henry included, find the poem charming. Nothing wrong with sentimental. </p><p>Kilmer was also a patriot, who made the ultimate sacrifice. He was killed by an enemy sniper’s bullet on July 30, 1918, during the Second Battle of the Marne in World War I. </p><p>Jenny was right! </p><p>After reading Kilmer's <i>Trees & Other Poems</i>, Henry found a poem which could not have a more patriotic American theme. It is called <i>Memorial Day</i>. Like <i>Trees</i>, it is delightfully sentimental, and it inspired him to compose his new choral work of the same name. </p><p>Scored for four-part men's chorus, trumpet in C and snare drum, <i>Memorial Day</i> is the composer's tribute to the fallen men and women of the U.S. armed forces.</p><div class="ml-form-embed" data-account="2106136:c8c2l2s1h5" data-form="2268643:e9u5h0"> </div>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6464617
2020-10-27T20:31:32-04:00
2023-06-01T10:05:31-04:00
Spotify Adds Henry’s New Love Duet to Coveted High Notes Playlist
<p>Henry is thrilled to announce that his new love duet,<i> Amore</i>, has been included in one of Spotify’s coveted playlists. The High Notes playlist spotlights the best new releases in opera and vocal music. Sung by soprano Danielle Talamantes and Kerry Wilkerson, <i>Amore e ‘l cor gentil sono una cosa</i> was released by AVIE Records on October 16, 2020. It is Track 12 of Henry's new album <i>At That Hour: Art Songs by Henry Dehinger</i>.</p><p><iframe allow="encrypted-media" allowtransparency="true" frameborder="0" height="380" src="https://open.spotify.com/embed/album/7pOnwiwBvbG7Jsuhf4FL07" width="300"></iframe></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6458499
2020-10-19T08:34:46-04:00
2022-04-24T18:40:13-04:00
St. Petersburg Opera to Feature Works by Henry Dehlinger in Recital Series
<p>On December 18, 2020, St. Pete Opera presents <em>A Soprano’s Mosaic</em> as part of its Artist Recital Series. Headlining soprano Danielle Talamantes with Henry at the piano, it will feature music by Puccini, Bizet, Granados, Turina, and, of course, Dehlinger, among other favorites. </p>
<p><a contents="Click here" data-link-label="" data-link-type="url" href="https://stpeteopera.org/artist-recital-danielle-talamantes/" style="" target="_blank">Click here</a> to purchase tickets to the livestream event.</p>
<p>Danielle will perform Henry's <a contents="The Mount " data-link-label="The Mount" data-link-type="page" href="/the-mount"><em>The Mount</em> </a>and his popular arrangement of Duke Ellington's <em>Come Sunday</em>. <em>The Mount</em> is a setting of a poem by New York-based poet Mark Riddles in which he recasts familiar biblical passages in the sensory language of sight. It was commissioned in 2015 by The Casement Fund, which supports new directions in creative writing, especially in connection with the other arts.</p>
<p><a contents="Come Sunday" data-link-label="Come Sunday" data-link-type="page" href="/come-sunday" style=""><em>Come Sunday</em></a> was Henry's first written and recorded arrangement. In large sections of the arrangement, the piano accompanies the singer in a stride style evocative of Ellington himself. The dynamic range between the rubato sections and rhythmic swinging sections make this crossover arrangement particularly interesting.</p>
<p><strong>About St. Pete Opera</strong><br>The mission of the St. Petersburg Opera Company is to enrich the cultural lives of the residents of the Tampa Bay, Florida area by presenting fully staged professional opera productions, and to make opera accessible through community outreach, educational initiatives, and collaboration with other arts organizations.</p>
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Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6457856
2020-10-17T10:08:57-04:00
2023-06-01T10:09:41-04:00
New Works Published from At That Hour - Ten Poems, A Dream, Amore, and More
<p>Sheet music of seventeen new works from <i>At That Hour: Art Songs by Henry Dehlinger</i> are now available at <a class="no-pjax" href="https://www.jwpepper.com/sheet-music/search.jsp?brandCodes=MSHD01&pageview=list-view" target="_blank" data-link-type="url" contents="J.W. Pepper">J.W. Pepper</a>. Henry’s art songs are popular among young classical singers, especially for recitals, competitions, and graduate school auditions.</p><!-- more --><p>Most are available in high voice (soprano/tenor) and medium voice (mezzo-soprano/baritone). </p><p>Ten Poems of James Joyce (High Voice & Medium Voice) <br>1. At That Hour When All Things Have Repose (3.47) <br>2. Bahnhofstrasse (4.22) <br>3. On the Beach at Fontana (3.36) <br>4. Simples (2.21) <br>5. Alone (3.18) <br>6. Flood (2.13) <br>7. Strings in the Earth and Air (3.25) <br>8. Night Piece (2.49) <br>9. Tutto è sciolto (2.04) <br>10. A Memory of the Players in a Mirror at Midnight (3.09) </p><p>11. Questa fiamma (Dante) (3.01) (High Voice) <br>12. Amore e ‘l cor gentil sono una cosa (Dante) (3.51) (Sop./Bar. Duet) <br>13. A Dream (Edgar Allen Poe) (2.10) (High Voice & Medium Voice) <br>14. The Mount (Mark Riddles) (5.53) (Soprano) <br>15. Fragrance (Mark Riddles) (5.37) (Soprano) <br>16. Shir Hashirim (Song of Songs) (8.15) (Sop./Bar. Duet) <br>17. Requiescat (Oscar Wilde) (3.26) (High Voice & Medium Voice)<img src="https://track.mailerlite.com/webforms/o/2204768/v6p1f2?v1602341891" class="size_orig justify_inline border_" alt="." height="1" width="1" /></p><p><script src="https://static.mailerlite.com/js/w/webforms.min.js?v3fd38428efea6ca0487b1230e27a86c6" type="text/javascript"></script></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6457145
2020-10-16T09:29:47-04:00
2023-06-01T10:16:43-04:00
Now Streaming on Spotify, Apple Music, Amazon Music, Tidal and More
<p>Henry’s new album, <i>At That Hour: Art Songs by Henry Dehlinger</i>, was released today by AVIE Records. It is now streaming on Spotify, Apple Music, Amazon Music, Tidal, YouTube Music, and more. The CD is also available for purchase from Presto Classical, Naxos Direct, ArkivMusic, Amazon, and other music retailers around the world. You can <a class="no-pjax" href="https://orcd.co/yzy5wko" target="_blank" data-link-type="url" contents="buy or stream now">buy or stream now</a>!</p><p>The album is a superlative showcase for Henry's craftsmanship as a composer as well as his close collaborators, husband-and-wife team soprano Danielle Talamantes and bass-baritone Kerry Wilkerson, for whose voices the art songs in this recital were written.</p><p>The title track opens Henry’s 10-part song cycle set to texts by James Joyce. Inspiration for other songs comes from poetry by Dante, Edgar Allen Poe, Oscar Wilde, and the Biblical <i>Song of Songs</i>. Throughout, Henry’s modern yet tonal compositional voice shines through as he renders a diverse palette of musical styles to amplify the words he sets to music.</p><p><strong>At That Hour: Art Songs by Henry Dehlinger</strong><br>Danielle Talamantes <i>soprano</i><br>Kerry Wilkerson <i>bass-baritone</i><br>Henry Dehlinger <i>piano</i></p><p><i>Ten Poems of James Joyce</i><br>1. At That Hour When All Things Have Repose (3.47)<br>2. Bahnhofstrasse (4.22)<br>3. On the Beach at Fontana (3.36)<br>4. Simples (2.21)<br>5. Alone (3.18)<br>6. Flood (2.13)<br>7. Strings in the Earth and Air (3.25)<br>8. Night Piece (2.49)<br>9. Tutto è sciolto (2.04)<br>10. A Memory of the Players in a Mirror at Midnight (3.09)</p><p>11. Questa fiamma (Dante) (3.01)<br>12. Amore e ‘l cor gentil sono una cosa (Dante) (3.51)<br>13. A Dream (Edgar Allen Poe) (2.10)<br>14. The Mount (Mark Riddles) (5.53)<br>15. Fragrance (Mark Riddles) (5.37)<br>16. Shir Hashirim (Song of Songs) (8.15)<br>17. Requiescat (Oscar Wilde) (3.26)</p><p>Total time: 63.26</p><p>Recorded 24 – 26 September 2019, Sono Luminus Studios, Boyce, Virginia, USA<br>Recording Producer and Editor: Erica Brenner<br>Recording, Mixing, Mastering: Daniel Shores<br>Piano Technician: Jon Veitch</p><p><iframe width="100%" height="450" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1146489838&color=%23f39c12&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe></p><div style="color:#cccccc;font-family:Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-size:10px;font-weight:100;line-break:anywhere;overflow:hidden;text-overflow:ellipsis;white-space:nowrap;word-break:normal;">
<a class="no-pjax" href="https://soundcloud.com/henrydehlingerofficial" target="_blank" title="Henry Dehlinger">Henry Dehlinger</a> · <a class="no-pjax" href="https://soundcloud.com/henrydehlingerofficial/sets/at-that-hour-art-songs-by" target="_blank" title="At That Hour - Art Songs by Henry Dehlinger">At That Hour - Art Songs by Henry Dehlinger</a>
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Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6451567
2020-10-08T10:40:34-04:00
2020-10-10T10:58:52-04:00
Henry Talks About His New Choral Work, Hodie
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="MNguLRzxcDY" data-video-thumb-url="https://img.youtube.com/vi/MNguLRzxcDY/mqdefault.jpg" type="text/html" src="https://www.youtube.com/embed/MNguLRzxcDY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="360" width="640" allowfullscreen="true"></iframe></p>
<p>Henry sat down with soprano Danielle Talamantes and bass-baritone Kerry Wilkerson, organizers of the 2020 Virtual Choral Festival, <em>Together in Song</em>. They talked about his new choral work, <a contents="Hodie!" data-link-label="Hodie!" data-link-type="page" href="/hodie" style="" target="_blank"><em>Hodie!</em></a>, and its virtual premiere on October 7, 2020. <em>Hodie!</em> is an SATB setting of the beautiful Latin antiphon that concludes the morning prayer service on Christmas Day and is scored for percussion, harp and organ.</p>
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Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6435080
2020-09-16T12:42:51-04:00
2020-12-09T19:42:21-05:00
NatPhil Reveals 2020-21 Lineup With Orchestral Premiere of Amore
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/d43fa8774a179aaa28f592d22f7c1c4c6b320871/original/np-febamore-banner.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_xl justify_center border_" />The National Philharmonic announced its 2020-21 season lineup, including a special Valentine’s Day program called “<a contents="Amore &amp; Mozart!" data-link-label="" data-link-type="url" href="https://nationalphilharmonic.org/event/amore-mozart/" target="_blank">Amore & Mozart!</a>” It kicks off with the orchestral premiere of Henry’s new love song, <a contents="Amore" data-link-label="Amore e 'l cor gentil sono una cosa" data-link-type="page" href="/amore-e-l-cor-gentil-sono-una-cosa"><em>Amore</em></a>, which he composed for his friends Jennifer and Eddie's recent nuptials in Florence Italy. <em>Amore</em> will be sung by husband-and-wife duo Kerry Wilkerson and Danielle Talamantes, who sang it at the wedding!</p>
<p>The full title, <em>Amore e ‘l cor gentil sono una cosa</em>, translates to “Love and the gentle heart are one and the same.” The lyrics are from a love sonnet from <em>La vita nuova</em> by Dante, the revered Florentine poet. It is Track 12 of Henry’s new album, <a contents="At That Hour" data-link-label="At That Hour" data-link-type="page" href="/at-that-hour" style=""><em>At That Hour: Art Songs by Henry Dehlinger</em></a>, which will be out October 16, 2020 on the <a contents="AVIE Records" data-link-label="" data-link-type="url" href="http://www.avie-records.com/releases/at-that-hour-art-songs-by-henry-dehlinger/" target="_blank">AVIE Records</a> label. </p>
<p>Composed as a chamber setting for string quintet and piano, <em>Amore</em> premiered at the Summer 2019 High Peaks Music Festival in Great Barrington, MA in the Berkshires. Henry later orchestrated the work especially for NatPhil’s Valentine’s Day 2021 concert. The program will also feature Mozart’s Sinfonia Concertante for Four Winds in E-flat Major. A piano-vocal version, which can be adapted for organ, is also available.</p>
<p>From the Music Center at Strathmore, NatPhil Music Director and Conductor Piotr Gajewski is presenting streamed concerts that feature a mix of classical masters you love, side-by-side with contemporary composers. Their principal players, who never fail to impress, are taking center stage along with a carefully curated collection of the Mid-Atlantic region’s best soloists and musicians.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6458877
2020-09-11T10:25:00-04:00
2023-05-28T21:36:25-04:00
At That Hour When All Things Have Repose - New Single Out Today
<p><a class="no-pjax" href="/at-that-hour-when-all-things-have-repose" data-link-type="page" data-link-label="At That Hour When All Things Have Repose" contents="At That Hour When All Things Have Repose"><i>At That Hour When All Things Have Repose</i></a>, the title track of Henry's new album, <a class="no-pjax" href="/at-that-hour" data-link-type="page" data-link-label="At That Hour" contents="At That Hour: Art Songs by Henry Dehlinger"><i>At That Hour: Art Songs by Henry Dehlinger</i></a>, is out today. Now streaming, it is masterfully sung by Met soprano Danielle Talamantes.</p><p>It is sure to become a favorite among soprano - and tenor - vocalists. With text by James Joyce, it forms part of Henry's <a class="no-pjax" href="/ten-poems-of-james-joyce" data-link-type="page" data-link-label="Ten Poems of James Joyce" contents="Ten Poems of James Joyce"><i>Ten Poems of James Joyce</i></a>, available in High Voice and Medium Voice collections. A soft, rubato melody rises above the opening bass octave. The emphasis on the monosyllables establishes the text’s iambic rhythm. But the effect is a slowing of the tempo, thus achieving the “repose” intimated in the first line. “Play on, invisible harps, unto love” is emphasized by corresponding arpeggios in the piano, mimicking a harp. After a dramatic sweep, the vocal line descends back to a condition of repose.</p><p><a class="no-pjax" href="https://orcd.co/yzy5wko" target="_blank" data-link-type="url" contents="Buy or stream now!">Buy or stream now!</a></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6458529
2020-09-04T14:40:00-04:00
2023-05-05T08:45:49-04:00
Requiescat - The New Single from At That Hour - Out Today
<p><i>Requiescat</i>, the last track of Henry's new album, <i>At That Hour: Art Songs by Henry Dehlinger</i>, releases today with text by the iconic poet and playwright, Oscar Wilde and sung by bass-baritone Kerry Wilkerson. <a class="no-pjax" href="https://orcd.co/yzy5wko" target="_blank" data-link-type="url" contents="Click here">Click here</a> to listen.</p><p>Henry has always been a fan of Wilde, the writer of such works as <i>The Picture of Dorian Gray</i> and comic masterpieces, <i>Lady Windermere’s Fan</i> and <i>The Importance of Being Earnest</i>. </p><p>Wilde wrote it seven years after his sister Isola died in 1867, less than two months before her 10th birthday. Wilde was 12 at the time of her death and later made regular visits to her grave. Isola's doctor recalled that Wilde's "lonely and inconsolable grief" sought relief in "long and frequent visits to his sister's grave in the village cemetery." </p><p>Fittingly subtitled A "Wilde" Stride, it is rendered using a stride piano accompaniment reminiscent of Henry's arrangement of Duke Ellington's <i>Come Sunday</i>. It is sung by bass-baritone Kerry Wilkerson. Kerry's voice combines the amber tone of a lyric baritone with the imposing weight demanded by low-lying writing, such as in Handel's oratorios. Kerry has also sung every genre of music, from opera and classical to jazz and pop. </p><p>In the weeks leading up to recording, Kerry experimented with the closing line. It’s a jazzy, downward progression of four dominant ninth chords accompanying four syllables, <i>Re-qui-es-cat</i>. When the Eureka! moment struck, Kerry was all jazz hands. “You’ve got to think Kelsey Grammer,” Kerry explained, “Tossed Salad and Scrambled Eggs!”</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6422191
2020-09-01T15:08:23-04:00
2020-10-08T10:47:56-04:00
At That Hour – New Album Now Available for Pre-Order
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/6b50dc2d0b5971c7fa5faa7cdde7a216cfe1b165/original/at-that-hour-cover.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" />Henry is thrilled to announce that his latest album – <em>At That Hour</em> – is now available for <a contents="pre-order" data-link-label="" data-link-type="url" href="http://www.avie-records.com/releases/at-that-hour-art-songs-by-henry-dehlinger/" style="" target="_blank">pre-order</a> from <a contents="AVIE Records" data-link-label="" data-link-type="url" href="http://www.avie-records.com/releases/at-that-hour-art-songs-by-henry-dehlinger/" style="" target="_blank">AVIE Records</a>. This world-premiere recording of Henry’s art songs is a superlative showcase for his craftsmanship and represents the culmination of a prolific period for the composer and the fruit of a close and rewarding friendship with soprano Danielle Talamantes and bass-baritone Kerry Wilkerson.</p>
<p>The original works in this recital were composed especially for their voices. It will be released on October 16, 2020.</p>
<p>“San Francisco-native Henry Dehlinger, a prodigiously talented pianist and singer, turned his hand to full-time composition in 2015,” says UK-based AVIE Records in its announcement. “The skill and splendour of his music belies the relatively brief number of years he has committed pen to paper to create a considerable oeuvre of orchestral, chamber and choral music.”</p>
<p>The title track opens Henry’s 10-part song cycle set to texts by James Joyce. Inspiration for other songs comes from poetry by Dante, Edgar Allen Poe, Oscar Wilde, and the Biblical Song of Songs. Throughout, Henry’s modern yet tonal compositional voice shines through as he renders a diverse palette of musical styles to amplify the words he sets to music.</p>
<p>TRACKLIST:</p>
<p><strong>At That Hour: Art Songs by Henry Dehlinger</strong><br>Danielle Talamantes <em>soprano</em><br>Kerry Wilkerson <em>bass-baritone</em><br>Henry Dehlinger <em>piano</em></p>
<p><em>Ten Poems of James Joyce </em><br>1. At That Hour When All Things Have Repose (3.47) <br>2. Bahnhofstrasse (4.22) <br>3. On the Beach at Fontana (3.36) <br>4. Simples (2.21) <br>5. Alone (3.18) <br>6. Flood (2.13) <br>7. Strings in the Earth and Air (3.25) <br>8. Night Piece (2.49) <br>9. Tutto è sciolto (2.04) <br>10. A Memory of the Players in a Mirror at Midnight (3.09) </p>
<p>11. Questa fiamma (Dante) (3.01) <br>12. Amore e ‘l cor gentil sono una cosa (Dante) (3.51) <br>13. A Dream (Edgar Allen Poe) (2.10) <br>14. The Mount (Mark Riddles) (5.53) <br>15. Fragrance (Mark Riddles) (5.37) <br>16. Shir Hashirim (Song of Songs) (8.15) <br>17. Requiescat (Oscar Wilde) (3.26) </p>
<p>Total time: 63.26 </p>
<p>Recorded 24 – 26 September 2019, Sono Luminus Studios, Boyce, Virginia, USA <br>Recording Producer and Editor: Erica Brenner <br>Recording, Mixing, Mastering: Daniel Shores <br>Piano Technician: Jon Veitch</p>
<div class="ml-form-embed" data-account="2106136:c8c2l2s1h5" data-form="2268643:e9u5h0"> </div>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6378611
2020-07-07T13:10:13-04:00
2023-05-07T10:26:40-04:00
Inaugural 2020 Virtual Choral Festival Kicks Off This Week
<p><i>Together in Song</i>, the inaugural <a class="no-pjax" href="https://twvoicestudio.weebly.com/virtual-choral-festival.html" target="_blank" data-link-type="url" contents="2020 Virtual Choral Festival">2020 Virtual Choral Festival</a> kicks off this week. Sponsored by Metropolitan Opera soprano Danielle Talamantes and bass-baritone Kerry Wilkerson, it brings together singers of all ages to learn how to apply healthy, sustainable vocal techniques to choral singing. All in a safe, virtual environment.</p><!-- more --><p>Participants study repertoire representing six centuries of choral literature: Renaissance, Baroque, Classical, Romantic, 20th century and 21st century. Vocal techniques, styles and traditions build from period to period until the current period is reached. Choral techniques that have been applied to the music of the great masters will be applied to the concluding piece of the program, a 21st century work —Henry’s <a class="no-pjax" href="/hodie" data-link-type="page" data-link-label="Hodie!" contents="Hodie! "><i>Hodie!</i></a></p><p><i>Hodie!</i> is Henry’s setting of the beautiful Latin antiphon that concludes the morning prayer service, or <i>Lauds</i>, on Christmas Day. It is scored for performance by four-part chorus and a three-player instrumental ensemble consisting of percussion, harp, and organ.</p><p>Modal melodies and driving accompaniment set up the joyous Latin text, while mixed meter generates energy in this thrilling opener or closer for any Christmas concert. (The term <i>modal</i> refers to scales which can be described as having an exotic, almost middle eastern quality. They’re commonly used in jazz and pop music, and they originated from a time before “standard” major and minor scales were clearly defined.)</p><p>The festival begins with a keynote address by Catherine Dehoney, President and CEO of Chorus America, who will discuss the near-term future of choral singing as it relates to the global coronavirus pandemic. Internationally renowned nutritionist and classically trained mezzo-soprano Monica Reinagel, better known as the Nutrition Diva, will lead a workshop on health and nutrition for vocalists. Monica’s television appearances include <i>The Dr. Oz Show, CBS News, ABC Eyewitness News, Today</i> and <i>NY1</i>. Henry will talk about composing for the voice using <i>Hodie!</i> as a case study.</p><p>Danielle and Kerry, both highly sought master class clinicians, will conduct workshops on vocal health, provide voice lessons and lead rehearsals. The festival culminates with singers recording their vocal lines for the virtual choral program representing all six centuries of music. About two weeks after the festival closes, there will be a watch party for the virtual choral program. The watch party will be open to participants and guests.</p><p>Stay tuned for more.</p><div class="ml-form-embed" data-account="2106136:c8c2l2s1h5" data-form="2268643:e9u5h0"> </div>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6296483
2020-04-27T21:40:55-04:00
2020-07-22T11:51:11-04:00
Interview with Santa Clara Magazine: "Something New Under the Sun"
<p>Henry was recently interviewed by Lucy Nino at <em><a contents="Santa Clara Magazine" data-link-label="" data-link-type="url" href="https://magazine.scu.edu/magazines/spring-2020/something-new-under-the-sun/" style="" target="_blank">Santa Clara Magazine</a></em>. Henry and Lucy talked about “premiering musical magic at SCU,” his epic new choral work, <a contents="Kohelet" data-link-label="Kohelet" data-link-type="page" href="/kohelet"><em>Kohelet</em></a>, and its upcoming performance by the Santa Clara Chorale and Santa Clara University Concert Choir.</p><!-- more -->
<p>Read the interview, <em>Something New Under the Sun</em>, on the <a contents="Santa Clara Magazine website" data-link-label="" data-link-type="url" href="https://magazine.scu.edu/magazines/spring-2020/something-new-under-the-sun/" style="" target="_blank"><em>Santa Clara Magazine</em> website</a>.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/f257dd182e9895a8815f6401ce5a876abcec79fb/original/scm-news-story.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_xl justify_center border_" /></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6262467
2020-03-26T09:44:21-04:00
2023-05-22T15:35:15-04:00
Concerts Cancelled to Protect Public Health from Coronavirus Outbreak
<p>We're sad to say that the world premieres of <i>The Love Song of J. Alfred Prufrock</i> with the National Philharmonic at Strathmore on April 18, 2020 and <i>Kohelet</i> with the Santa Clara Chorale on May 8, 2020 have been cancelled due to the global Coronavirus outbreak. </p><p>As the Coronavirus continues to spread, live event organizers throughout the world have been canceling or postponing large gatherings from technology conferences to major concerts and, as of today, the Tokyo Olympics. </p><p>The National Philharmonic at Strathmore and Santa Clara Chorale have both conveyed their commitments to reschedule these performances sometime during the 2020-21 or 2021-22 concert seasons. If you have tickets, please get in touch with them or your ticket vendors directly. We’ll announce more information as we receive it.</p><p> </p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6210126
2020-02-10T10:30:17-05:00
2023-05-28T21:38:24-04:00
44th Annual Military School Band and Choir Festival featuring Henry's new choral work
<p>Henry is delighted to announce that <a class="no-pjax" href="/bahnhofstrasse-satb" data-link-type="page" data-link-label="Bahnhofstrasse (SATB)" contents="Bahnhofstrasse"><i>Bahnhofstrasse</i></a>, one of his latest works for mixed chorus with text from James Joyce's poem, will be performed at the 44th Annual Military School Band and Choir Festival at Randolph-Macon Academy February 21-23. </p><p>The Festival brings together top musicians from military schools and colleges from across the United States. Students will spend three days in clinics, rehearsing together for the first time in preparation for the culminating concert to be held on February 23, 2020. </p><p>The Festival Concert is free to the public and will be held at 2:00 pm in Melton Memorial Gymnasium at Randolph-Macon Academy. 100 students and 20 adults from across the country will pour their hearts and souls into what is sure to be an unforgettable afternoon of musical entertainment. The Festival Choir Conductor is none other than Master Sergeant Kerry Wilkerson, USA, Retired.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6061933
2020-01-05T10:10:00-05:00
2020-09-15T19:56:03-04:00
Bass-Baritone Kerry Wilkerson Presents All-Dehlinger Concert at GMU's Harris Theater
<p>On February 9, 2020, Kerry Wilkerson, bass-baritone extraordinaire and faculty member of The School of Music at George Mason University, presents an all-Dehlinger program of art songs and duets written especially for Kerry and soprano Danielle Talamantes. The special concert is part of the university's Spring 2020 Faculty Artists Series. Henry will join the fabulous duo as collaborative pianist of his own works.</p>
<p><strong>Where:</strong><br>George Mason University<br>Harris Theater<br>4471 Aquia Creek Lane<br>Fairfax, VA 22030<br><br>February 9, 2020<br>7:00 PM</p>
<p>Tickets are free.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/64abc16a506b8016683a73a1a5ed77b24dce0fe1/original/kerrywilkerson-9612.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_" /></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6055521
2019-10-24T08:00:00-04:00
2023-05-22T15:36:20-04:00
World Premiere of Three Choral Songs on James Joyce
<p>Henry is delighted to announce the world premiere of three new choral settings of poems by James Joyce. Arranged especially for conductor Thomas Colohan and the Washington Master Chorale's 10th Anniversary Season opening concert, <i>Night Piece, Strings in the Earth and Air</i> and <i>Bahnhofstrasse</i> were originally composed as part of a cycle of ten art songs. They will premiere on October 27, 2019 at the Church of the Epiphany in Washington, D.C. under the direction of Maestro Colohan, artistic director of the Chorale.</p><p><i>Night Piece</i>, arranged for unaccompanied SATB chorus, begins as a reverent, if not haunting, portrait of “night’s sin-dark nave.” Replete with ecclesiastical imagery, this subdued choral meditation swells into a tender exultation of the night sky with soaring melodies and lush harmonies. Joyce’s characteristic neologisms abound: A star-knell tolls as upsoaring clouds surge voidward, high above the “adoring waste of souls.” </p><p><i>Strings in the Earth and Air </i>is a light interlude for SATB chorus and high voice solo with sparkling piano accompaniment and impressionist overtones. The song’s sultry solo vocal line emerges from a progression of minor and dominant 9th chords in this jazz-inspired hymn of nature. </p><p><i>Bahnhofstrasse</i> is an existential piece about the loss of youth. The title refers to the posh district in Zurich, Switzerland where in August 1917 Joyce suffered a sudden and painful attack of lumbago, later compounded with increasing blindness as a result of glaucoma. The four vocal lines float wistfully over a minimalist piano accompaniment that steadily reiterates a simple, eerie motif as the poet’s failing eyes mock his deteriorating youthfulness.</p><p> </p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6055501
2019-09-23T08:00:00-04:00
2020-07-02T13:09:15-04:00
Back in the Recording Studio
<p>Henry is back in the recording studio with Metropolitan Opera soprano Danielle Talamantes, with whom he collaborated on his last two albums, and bass-baritone Kerry Wilkerson. This time it's to record his first album as both composer and collaborative pianist. They're recording seventeen tracks – two duets and fifteen art songs that Henry wrote especially for their voices. These works will be featured in a new album which will be announced sometime in 2020.</p>
<p>Producer Erica Brenner, Engineer Daniel Shores of Sono Luminus Studios and Piano Technician John Veitch will join them during the three-day recording session.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6176146
2019-08-01T09:00:00-04:00
2023-05-22T15:36:37-04:00
Berkshire High Peaks Music Festival featuring world premiere of Henry's new chamber work - Amore e 'l cor gentil sono una cosa
<p>Metropolitan Opera soprano Danielle Talamantes and bass-baritone Kerry Wilkerson will premiere Henry's <i>Amore e 'l cor gentil sono una cosa</i> ("Love and the gentle heart are one and the same") at the 2019 Berkshire High Peaks Music Festival in Great Barrington, MA.</p><p>Henry wrote the piece especially for the wedding of two special friends. The ceremony was held in Florence, Italy. So what better text could he set than a love sonnet from <i>La vita nuova</i> by Dante, the Florentine philosopher-poet par excellence?</p><p>Sung in the original Italian, it is scored as a chamber piece, using a string quintet supported by piano, but it is every bit as effective sung unaccompanied, or accompanied by a single piano or organ.</p><p> </p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029837
2019-03-29T20:00:00-04:00
2021-05-12T14:26:37-04:00
National Philharmonic at Strathmore to Premiere “The Love Song of J. Alfred Prufrock"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/e661579b237a362428c5ec3e2242d7cbcf79d785/original/b-w10.jpg/!!/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_xl justify_center border_none" alt="" style="margin-bottom: 10px;" /></p>
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<p>The National Philharmonic at Strathmore today announced its new 2019-20 season. On April 18, 2020, conductor Piotr Gajewski will lead the National Philharmonic in the world premiere of <em>The Love Song of J. Alfred Prufrock</em>, Henry Dehlinger's sweeping rhapsody adapted from the poem by T.S. Eliot and composed especially for the beautiful lyric voice of soprano Danielle Talamantes.</p>
<p>It is part of a concert program called “<a data-imported="1" href="https://www.nationalphilharmonic.org/subscriptions-tickets/music-prose/" target="_blank">Music+Prose</a>,” which will explore the connection between music and the written word. Also on the program are Samuel Barber’s <em>Overture to the School for Scandal</em><em>, </em>Alistair Coleman’s <em>Concerto for Cello and Orchestra</em>, and Michael Daugherty’s <em>Tales of Hemingway</em>, featuring cellist Zuill Bailey.</p>
<p><em>Prufrock</em> embodies a 21<sup>st</sup> century musical language that makes use of eclecticism while suggesting the familiar symphonic American vernacular of 20th century composers like Howard Hanson, Roy Harris and Samuel Barber. The text, first published in 1915, was an entirely new kind of poetry that thrust Eliot onto the modernist stage. To underscore the tension in Eliot’s verse, the composer uses a hybrid voice that synthesizes classical and vernacular styles. Each theme and leitmotif use the melodic and rhythmic contours of Eliot’s stream of consciousness narrative to dictate mood and melodic character. Notable among them is the “Prufrock motif” that heralds the poem’s famous opening line, "Let us go then, you and I." These rich musical fragments are then woven into a meaningful—and dramatic—aural experience.</p>
<p>Extended techniques and semi-aleatoric passages, especially under the expert baton of Maestro Gajewski, help amplify the emotional content. As Prufrock muses upon "the mermaids singing, each to each," for example, Henry combines artificial harmonic glissandi in the cello part—which produces the sound of a flock of seagulls—with an ocean drum, played ad lib, and tubular bells. Woodwinds, harp, and strings support the ensemble. The result is a remarkable simulation of the sounds of the seashore: ocean waves swell and crash to the cawing of seagulls as the mournful toll of a bell buoy heralds the open sea and Prufrock concludes, "I do not think that they will sing to me."</p>
<p>The ending is calibrated to Talamantes’ vocal genius. Brass, percussion, and celesta enter, intensifying the rich orchestral palette. The high note is sustained over seven measures of a dance-like scherzo in 7/8 meter as singer and orchestra build to a magnificent forte fortissimo climax. With the vocal line soaring above the din, the Prufrock motif returns to mark the closing line, "Till human voices wake us, and we drown.”</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029836
2019-03-26T20:00:00-04:00
2023-05-22T15:37:24-04:00
Henry looks forward to a remarkable 2019-20 season
<p> </p><p>With five new concert works premiering so far, Henry looks forward to a remarkable 2019-20 season. First up, for the Washington Master Chorale's 10th Anniversary Season opening concert on October 27, 2019, Henry is at work on a brand new choral setting of three poems by James Joyce.</p><p>On April 18, 2020, the National Philharmonic at Strathmore premieres <i>The Love Song of J. Alfred Prufrock</i>, a sweeping 21<sup>st</sup> century rhapsody for voice and orchestra. Adapted from the poem by T. S. Eliot and composed especially for soprano Danielle Talamantes, it uses the melodic and rhythmic contours of Eliot's stream-of-consciousness narrative to dictate mood and melodic character. Maestro <a class="no-pjax" href="https://www.nationalphilharmonic.org/about/artistic-staff/music-director-conductor-piotr-gajewski/" target="_blank" data-imported="1">Piotr Gajewski</a> conducts.</p><p>On May 8, 2020, the Santa Clara Chorale, in their annual collaboration with the Santa Clara University Concert Choir and Chamber Singers, will present the world premiere of Henry’s <i>Kohelet</i>. Commissioned jointly by conductors <a class="no-pjax" href="https://scothw.com/about/" target="_blank" data-imported="1">Scot Hanna-Weir</a> of the Santa Clara Chorale and <a class="no-pjax" href="https://www.washingtonmasterchorale.org/about/artistic-director/" target="_blank" data-imported="1">Thomas Colohan</a> of the Washington Master Chorale, <i>Kohelet</i> is a cantata in five movements for mixed chorus, bass-baritone and soprano solos, and instrumental forces that feature organ, harp, percussion and brass.</p><p>Bass-baritone <a class="no-pjax" href="https://www.kerrywilkerson.com/about" target="_blank" data-imported="1">Kerry Wilkerson</a> and Metropolitan Opera soprano <a class="no-pjax" href="http://www.danielletalamantes.com" target="_blank" data-imported="1">Danielle Talamantes</a>, for whose voices the composer penned the solo parts, will be featured soloists. Conceived in the spirit of Leonard Bernstein’s <i>Chichester Psalms</i>, <i>Kohelet</i> combines lush, modal melodies, energetic meters, and colorful harmonic textures with Hebrew text drawn from the Book of Ecclesiastes and Song of Songs and offers an ecumenical blend of Hebrew antiphonal singing and Christian choral tradition.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6068081
2019-01-18T08:00:00-05:00
2020-07-09T08:48:05-04:00
Pan Pipes Magazine Hails Heaven and Earth: A Duke Ellington Songbook
<p>Music Reviewer Kim McCormick hails <em>Heaven and Earth: A Duke Ellington Songbook</em> in the Spring issue of Pan Pipes. McCormick says, "The interaction between the two artists is comfortable, conveying Ellington’s wide range of emotions, all making the listener feel as though they are included in an intimate setting along with the artists."</p>
<p><em>[Danielle Talamantes'] voice is supple and powerful, and her rendition of these Ellington songs is brilliant. She is joined by the sophisticated piano performance of Henry Dehlinger. Equally comfortable as piano soloist or as collaborative pianist, this disc proves him to also be a gifted arranger. Together the duo gives a stunning performance capturing the brilliance of these Duke Ellington songs. The recording quality is excellent, and listeners will likely want to spend time playing it over and over again. They will also appreciate the extensive liner notes which are included.</em></p>
<p><a contents="" data-link-label="Heaven and Earth" data-link-type="page" href="/heaven-and-earth"><em><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/9836a5fb823046fcd049ebe9dcfc7803d7299737/original/heaven-and-earth-cover.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_left border_none" alt="Heaven and Earth: A Duke Ellington Songbook" /></em></a></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029835
2017-12-26T19:00:00-05:00
2020-01-02T13:27:25-05:00
As 2018 approaches...
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/4e3401403ea3b2301a42b0bb58d984b95902f6e0/original/dsc0113-3-signed6591.jpg/!!/b%3AWyJyZXNpemU6NjAweDQwMCJd.jpg" class="size_orig justify_inline border_" alt="Henry Dehlinger looks forward to 2018" height="400" style="vertical-align: text-bottom; display: block; margin-left: auto; margin-right: auto;" width="600" /></p>
<p>As 2018 approaches, Henry Dehlinger is back at work on a brand-new extended choral work for soprano, bass-baritone, mixed choir, and orchestra for a Washington, DC choral group. Looking back at 2017, Dehlinger’s creative output included: <em>The Love Song of J. Alfred Prufroc</em>k, a sweeping rhapsody for voice and orchestra with text by T. S. Eliot; <em>A Dream</em>, set to a poem by Edgar Allan Poe, which Dehlinger composed for his friend and celebrated United States Army Chorus bass-baritone, MSG Kerry Wilkerson; <em>Fragrance</em>, with lyrics by Mark Riddles; and <em>Requiescat: A “Wilde" Stride for Soprano and Piano</em>, a classical-blues crossover set to a poem by Oscar Wilde.</p>
<p>After the new year, Dehlinger joins Metropolitan Opera soprano Danielle Talamantes in El Paso, Texas and Las Cruces, New Mexico for a recital series hosted by El Paso Pro Musica. Dedicated to promoting the art of chamber music in the communities it serves, El Paso Pro Musica is led by artistic director and GRAMMY winner, Zuill Bailey, widely celebrated as one of the premier cellists in the world. They will perform works by Enrique Granados, Joaquin Turina, Duke Ellington, and Henry Dehlinger.</p>
<p>Nothing could be more appropriate than to conclude this year with a new year's toast made by T. S. Eliot, famed Anglo-American poet and playwright who created the words of <em>The Love Song of J. Alfred Prufrock:</em></p>
<p style="padding-left: 30px;"><em>For last year's words belong to last year's language. And next year's words await another voice. And to make an end is to make a beginning.</em></p>
<p style="padding-left: 30px; text-align: right;">-- T. S. Eliot</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029834
2017-12-08T19:00:00-05:00
2020-01-27T09:04:02-05:00
Latest Opus
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/8e0d644166a6be16245c255f132442d8faa884fb/original/dehlinger-at-the-piano.jpg/!!/b%3AWyJyZXNpemU6NjAweDM1NiJd.jpg" class="size_orig justify_inline border_" alt="Composer Henry Dehlinger" height="356" style="vertical-align: text-bottom; display: block; margin-left: auto; margin-right: auto;" width="600" /></p>
<p>Henry Dehlinger today announced the publication of his latest opus: <em>The Love Song of J. Alfred Prufrock</em>. T. S. Eliot's (1888-1965) poetic masterpiece is reimagined by the composer as a sweeping rhapsody that suggests the symphonic American vernacular of composers like Howard Hanson, Samuel Barber, and Leonard Bernstein.</p>
<p>Dehlinger wrote Prufrock for the expressive lyric voice of his friend and recording collaborator, Metropolitan Opera soprano Danielle Talamantes (although a tenor or countertenor could also perform the work). As a dramatic monologue, it requires a singer who is present in what is being said, one with a broad dynamic range and flair for dramatic interpretation.</p>
<p><span style="color:#c0c0c0"><span style="color:#c0c0c0"><span style="color:#c0c0c0"><span style="color:#c0c0c0">LISTEN (ELECTRONIC REALIZATION)</span></span></span></span></p>
<p><audio controls="controls" height="32" preload="metadata" style=" width:300px;" width="300"><source src="http://henrydehlinger.com/files/Music/The_Love_Song_of_J._Alfred_Prufrock.mp3" type="audio/mpeg"></source> Your browser does not support the audio element.</audio></p>
<p>First published in the June 1915 issue of Poetry: A Magazine of Verse, this was a new kind of poetry by a poet who was fully awake in his own era—one who expressed a modern sensibility. It reveals the tortured psyche of a prototypical modern person: urbane, eloquent, educated (perhaps overeducated), neurotic, and paralyzed with anxiety. Prufrock, the poem's speaker, seems to be addressing a potential lover, someone with whom he desires to consummate a relationship. But all he can do is ask himself, “Do I dare?” In his mind he can only hear others chattering about his inadequacies.</p>
<p>Dehlinger’s judicious use of polystylism—a growing trend in 21st century music—brings Prufrock to life on the concert stage. Dehlinger sketches out discernible themes and recurring motifs, combining elements from different musical styles and genres that reflect each changing mood of Eliot’s stream of consciousness narrative. The most notable of these is what the composer calls the “Prufrock motif” that heralds the poem’s famous opening line, “Let us go then, you and I.” He then weaves these melodic and harmonic fragments into a coherent aural experience.</p>
<p>In the epigraph to the poem, from Dante’s <em>Inferno</em>, we meet the condemned soul of Guido da Montefeltro who shares his innermost secrets only because he believes his listener will never be able to betray to the world the contents of his confessions from hell. Prufrock, like Guido, is in a hell of his own, albeit an earthly one that is mostly in his head. Nonetheless, he will speak to the audience without fear of incurring disgrace.</p>
<p>Dehlinger renders the epigraph—in Dante's original Italian—as a sarabande, a dance in triple meter that originated in 16th century Spanish America as a fusion of Moorish and Mesoamerican dance elements before it spread to Europe and became a slow court dance. Dubbed by the composer, "Questa fiamma," it serves as a short prelude to Prufrock's dramatic monologue.</p>
<p>When crafting the sound of a tonal phrase, God is in the details. As Prufrock muses upon “the mermaids singing, each to each,” Dehlinger utilizes an unusual blend of extended techniques: artificial harmonic glissandi in the cello part combined with an ocean drum. The result is a remarkable simulation of the sounds of the seashore as seagulls and ocean waves billow through the rich orchestral tapestry and Prufrock utters the final dramatic line, "Till human voices wake us, and we drown.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029833
2016-10-13T20:00:00-04:00
2020-01-02T13:28:33-05:00
Manchester Symphony Premieres Dehlinger's Latest Work
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/733cce1991b274bf173615b4243e6d16e8ba1b4d/original/danielle-talamantes-performs-henry-dehlingers-the-mount.jpg/!!/b%3AWyJyZXNpemU6NjAweDQwMyJd.jpg" class="size_orig justify_inline border_" alt="Danielle Talamantes Premieres Dehlinger's The Mount" height="403" style="vertical-align: text-bottom; display: block; margin-left: auto; margin-right: auto;" width="600" /></p>
<p>Composer Henry Dehlinger today announced the upcoming world premiere of his new orchestral setting of <em>The Mount</em> on October 23, 2016 at the Manchester Symphony Orchestra's opening concert of its 78th season featuring soprano soloist Danielle Talamantes with Maestro Scott Humphries conducting. Commissioned by The Casement Fund, <em>The Mount</em> was originally composed as an art song for voice and piano with lyrics by poet Mark Riddles.</p>
<p>Dehlinger also premieres his brand-new arrangement of <em>Almighty God Has Those Angels</em> by Duke Ellington, scored for soprano solo, mixed chorus, and full orchestra. The Manchester Symphony Chorale joins Talamantes and the orchestra with Dehlinger at the piano. The concert will be held at Manchester University's Cordier Auditorium in North Manchester, Indiana...</p>
<p><strong>PREVIEW <em>THE MOUNT</em></strong></p>
<hr><p><iframe frameborder="0" height="380" src="https://open.spotify.com/embed/track/5sCe7A2Mak7cznjunaQgk1" width="610"></iframe></p>
<p><strong>PREVIEW <em>ALMIGHTY GOD HAS THOSE ANGELS</em></strong></p>
<hr><p><iframe frameborder="0" height="380" src="https://open.spotify.com/embed/track/0wSOKlHcLiYu2UUIM0By9z" width="610"></iframe></p>
<div class="shareaholic-canvas" data-app="share_buttons" data-app-id="27825036"> </div>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029831
2016-05-16T20:00:00-04:00
2020-01-01T23:50:43-05:00
Heaven and Earth: A Duke Ellington Songbook Releases Today
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/9836a5fb823046fcd049ebe9dcfc7803d7299737/original/heaven-and-earth-cover.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>HENRY DEHLINGER announces the release of HEAVEN AND EARTH: A DUKE ELLINGTON SONGBOOK, his third recording project with soprano Danielle Talamantes. The highly-anticipated album on the MSR label features Dehlinger's sensitive arrangements of Duke Ellington’s music with their melodic lines and stylish vocal and piano writing throughout. <em>Audiophile Audition</em> calls them “stunningly superb, each and every one,” and “Formidably essential listening!”</p>
<p>Talamantes and Dehlinger once again teamed up with producer Richard Price and engineer Wayne Hileman of Candlewood Digital, whose work has earned a GRAMMY Award and two GRAMMY nominations.</p>
<p><strong>PREVIEW ALBUM</strong></p>
<hr><p><iframe frameborder="0" height="306" src="https://open.spotify.com/embed/album/0CN4lZX6grrpef09tA2AH4" width="610"></iframe></p>
<p><strong>CREDITS</strong></p>
<hr><p>Recorded 13 July and 23 November 2015 at Vienna Presbyterian Church, Vienna, Virginia. A Candlewood Digital high resolution <em>Natural Presence Technology™ </em>recording: Produced by Richard Price; Engineered by Wayne Hileman; Edited and mastered by Richard Price. Executive Producer: Carole Taylor. Piano technician: James R. Davis. Product management: Robert LaPorta. Package design: Tim Schwartz @ Onion Productions.com. Artist photographs: Bill Bramble. ℗&© 2016 Danielle Talamantes and Henry Dehlinger.</p>
<p><strong>TRACK LIST</strong></p>
<hr><table align="center" border="0" style="width: 610px;"><tbody> <tr> <td>[1]<br> <br> </td> <td>COME SUNDAY<br> Duke Ellington / Duke Ellington [arr. H. Dehlinger]<br> </td> <td>5:31<br> <br> </td> </tr> <tr> <td>[2]<br> <br> </td> <td>IMAGINE MY FRUSTRATION<br> Duke Ellington / Billy Strayhorn and Gerald Wilson [arr. H. Dehlinger]<br> </td> <td>2:23<br> <br> </td> </tr> <tr> <td>[3]<br> <br> </td> <td>IN A SENTIMENTAL MOOD<br> Duke Ellington / Manny Kurtz and Irving Mills [arr. L. Ham]<br> </td> <td>3:51<br> <br> </td> </tr> <tr> <td>[4]<br> <br> </td> <td>DO NOTHIN' TILL YOU HEAR FROM ME<br> Duke Ellington / Bob Russell [arr. L. Ham]<br> </td> <td>2:23<br> <br> </td> </tr> <tr> <td>[5]<br> <br> </td> <td>PRELUDE TO A KISS<br> Duke Ellington / Irving Gordon and Irving Mills [arr. L. Ham]<br> </td> <td>4:15<br> <br> </td> </tr> <tr> <td>[6]<br> <br> </td> <td>DON'T GET AROUND MUCH ANYMORE<br> Duke Ellington / Bob Russell [arr. H. Dehlinger]<br> </td> <td>4:20<br> <br> </td> </tr> <tr> <td>[7]<br> <br> </td> <td>SOPHISTICATED LADY<br> Duke Ellington / Irving Mills and Mitchell Parish [arr. H. Dehlinger]<br> </td> <td>3:56<br> </td> </tr> <tr> <td>[8]<br> <br> </td> <td>I'M BEGINNING TO SEE THE LIGHT<br> Duke Ellington, Harry James and Johnny Hodges / Don George [arr. C. Levine]<br> </td> <td>3:22<br> <br> </td> </tr> <tr> <td>[9]<br> <br> </td> <td>SOLITUDE<br> Duke Ellington / Eddie Delange and Irving Mills [arr. C. Levine]<br> </td> <td>5:33<br> <br> </td> </tr> <tr> <td>[10]<br> <br> </td> <td>MEDITATION (piano solo)<br> Duke Ellington [arr. H. Dehlinger]<br> </td> <td>4:54<br> <br> </td> </tr> <tr> <td>[11]<br> <br> </td> <td>HEAVEN<br> Duke Ellington / Duke Ellington [arr. M. Mills]<br> </td> <td>4:03<br> <br> </td> </tr> <tr> <td>[12]<br> <br> </td> <td>ALMIGHTY GOD HAS THOSE ANGELS<br> Duke Ellington / Duke Ellington [arr. H. Dehlinger]<br> </td> <td>4:54<br> <br> </td> </tr>
</tbody></table>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029832
2016-02-13T19:00:00-05:00
2020-01-02T13:30:25-05:00
Henry Dehlinger Releases Recording of New Opus
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/cf9e1531ca164164181a2210851c8800cbc6035d/original/the-mount-cover.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The world premiere recording of HENRY DEHLINGER'S <em>THE MOUNT</em> releases today. Composed for soprano Danielle Talamantes, <em>THE MOUNT</em> is a new art song based on poet Mark Riddles' collection of sacred poems in which he casts famous biblical passages in remarkable sensory language. It premiered in New York City on November 15, 2015 in Manhattan’s historic Episcopal Church of the Holy Trinity.</p>
<p><em>The Mount</em> draws inspiration from the mystical vision of the Transfiguration on Mount Tabor recounted in the Gospels of Matthew, Mark and Luke. The ecumenical spirit of Riddles' text may also draw the listener to another dramatic setting from the Hebrew Bible—Mount Horeb, the “Mountain of God” on which, according to the book of Deuteronomy, the Ten Commandments were given to Moses by God.</p>
<p><em>The Mount's</em> elegant melodic line and use of Phrygian dominant scales evoke the powerful chants of Jewish liturgical music or deep song (<em>cante jondo</em>) of Spain's Moorish past. At <em>The Mount's</em> climax midway through the piece, Talamantes soars above Dehlinger's sweeping arpeggios, then shifts to a lyric pianissimo as she sings Riddles' beautiful verse.</p>
<p><strong>PREVIEW TRACK</strong></p>
<hr><p><iframe frameborder="0" height="380" src="https://open.spotify.com/embed/track/5sCe7A2Mak7cznjunaQgk1" width="610"></iframe></p>
<p><strong>CREDITS</strong></p>
<hr><p>Recorded 23 November 2015 at Vienna Presbyterian Church, Vienna, Virginia. A <a data-imported="1" href="http://www.CandlewoodDigital.com" target="_blank">Candlewood Digital</a> <strong>Natural Presence Technology<strong>™</strong></strong> Recording: Produced, edited and mastered by Richard Price; Engineered by Wayne Hileman. Album cover art: <a data-imported="1" href="https://en.wikipedia.org/wiki/Transfiguration_%28Raphael%29" target="_blank"><em>The Transfiguration</em></a> by Raphael (1520). Album cover design: The Design Studio. Piano technician: James R. Davis.. ℗&© 2016 Danielle Talamantes and Henry Dehlinger.</p>
<h2>About Candlewood Digital</h2>
<p>Candlewood Digital LLC is one of the finest and most sought-after classical recording firms in the United States. It was founded in 2006 by Richard Price and Wayne Hileman, following thirty combined years of working together at one of New York's premier classical recording studios. Mr. Price has over 900 commercial CDs to his credit and was honored with two GRAMMY nominations and one GRAMMY award. Mr. Hileman, also a GRAMMY nominee, has 22 years of experience in the classical recording business producing, engineering, editing and remastering new and historic recordings for numerous labels and artists. For more, please visit <a data-imported="1" href="http://www.CandlewoodDigital.com" target="_blank">www.CandlewoodDigital.com</a>.</p>
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Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029830
2015-12-16T19:00:00-05:00
2017-12-08T05:37:47-05:00
Henry Dehlinger Looks Forward to 2016
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/fa6d399315c1aa126ed12d426b1e7267fb694ed1/original/henry-dehlinger-headshot-8563.jpg/!!/b%3AWyJyZXNpemU6NjEweDQwNyJd.jpg" class="size_orig justify_inline border_" alt="Henry Dehlinger Looks Forward to 2016" height="407" style="vertical-align: text-bottom; display: block; margin-left: auto; margin-right: auto;" width="610" /></p>
<p><span style="color:#c0c0c0">PHOTO CREDIT: ROY COX<br></span>2016 promises to be an exciting year as Henry Dehlinger prepares to release <em>Heaven and Earth: A Duke Ellington Song book</em>, his second collaboration album with international opera star Danielle Talamantes on the MSR Classics label, which they recorded in November. Featuring a collection of new arrangements of Duke Ellington standards written especially for Talamantes’ gorgeous lyric soprano voice, the album also marks Dehlinger’s debut as a jazz arranger.</p>
<p>Other early 2016 highlights include a return to California, beginning February 27th, and San Mateo's Crestmont Conservatory of Music for a solo concert of Spanish classical piano works by Isaac Albéniz, Enrique Granados and Frederic Mompou.</p>
<h2>About Henry Dehlinger</h2>
<p>Hailed by UK’s <em>Gramophone Magazine</em> for his “exquisite piano-playing” and “vibrantly colorful palette,” <a href="http://www.HenryDehlinger.com" target="_blank" data-imported="1"><strong>Henry Dehlinger</strong></a> is a widely acclaimed American concert pianist, recording artist, composer and music arranger. <em>ConcertoNet.com</em> praises him as "an experienced and versatile soloist.” <em>MusicWeb International</em> admires his "delicious piano playing," and <em>Audiophile Audition</em> applauds his "adroit and sparkling" performances. Dehlinger has appeared on some of the world’s leading stages from San Francisco’s War Memorial and Performing Arts Center to the White House in Washington, D.C. He has also appeared as featured soloist with The United States Army Chorus, special guest performer on Washington’s Embassy Row, and in concert for notable public officials, from the President of the United States to the Prince of Wales. Born in San Francisco, he quickly earned a reputation as a prodigious talent. By the age of eleven, he was performing with major orchestras under conductors such as Riccardo Chailly and Edo de Waart and operatic legends Luciano Pavarotti, Montserrat Caballé and Georgio Tozzi. Dehlinger is a voting member of The Recording Academy, which awards the GRAMMYs. His critically acclaimed recordings on the MSR Classics label are available on <a href="http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=henry+dehlinger&rh=n%3A5174%2Ck%3Ahenry+dehlinger" target="_blank" data-imported="1">Amazon.com</a>, <a href="http://www.arkivmusic.com/classical/albumList.jsp?name_id1=247436&name_role1=2&bcorder=2&album_sort=4" target="_blank" data-imported="1">ArkivMusic</a>, <a href="https://itunes.apple.com/us/artist/henry-dehlinger/id471987065" target="_blank" data-imported="1">iTunes</a>, and other music stores around the world.</p>
<p><a href="/about" data-imported="1" data-link-type="page">www.HenryDehlinger.com</a></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029829
2015-11-14T19:00:00-05:00
2023-05-22T15:37:38-04:00
Henry Dehlinger's New Opus Has New York World Premiere
<p><span style="color:#c0c0c0;">HENRY DEHLINGER'S "THE MOUNT" PREMIERES IN NEW YORK</span><br>Sunday, November 15th marked the world premiere of <a class="no-pjax" href="/the-mount" data-link-type="page" data-imported="1"><i>The Mount</i></a>, composed by Henry Dehlinger for international opera star Danielle Talamantes with text by conductor, choral musician and poet Mark Riddles. Based on Riddles' collection of sacred poems in which he casts famous biblical passages in remarkable sensory language, Dehlinger's <i>The Mount</i> received a resounding ovation at its New York City world premiere performance and is available now as <a class="no-pjax" href="/the-mount" data-link-type="page" data-imported="1">a digital download</a>.</p><p>The original composition was commissioned by The Casement Fund of New York through its Triad Grant, which is awarded each year to three artists – a vocalist, composer and lyricist. Talamantes, Dehlinger and Riddles are the 2015 award recipients.</p><p>Composed for soprano and piano, <i>The Mount -</i> and Riddles' dramatic text - draws inspiration from the mystical vision of the Transfiguration on Mount Tabor recounted in the Gospels of Matthew, Mark and Luke. Yet, one could just as easily imagine another dramatic setting from the Hebrew Bible - Mount Horeb, the “Mountain of God” on which, according to the book of Deuteronomy, the Ten Commandments were given to Moses by God.</p><p><i>The Mount's</i> elegant melodic line and use of Phrygian dominant scales evoke the powerful chants of Jewish liturgical music or deep song of Spain's Moorish past. At <i>The Mount's</i> climactic summit midway through the performance, the soprano line soars above Dehlinger's sweeping arpeggios, and then shifts to a lyric pianissimo. The world premiere performance was held at the historic Episcopal Church of the Holy Trinity in Manhattan's Upper East Side.</p><h2>About Henry Dehlinger</h2><p>Hailed by London’s <i>Gramophone Magazine</i> for his “exquisite piano-playing” and “vibrantly colorful palette,” <a class="no-pjax" href="http://www.HenryDehlinger.com" target="_blank" data-imported="1"><strong>Henry Dehlinger</strong></a> is a celebrated concert pianist, recording artist, composer and arranger. He has appeared on some of the world's leading concert stages from San Francisco's War Memorial and Performing Arts Center to the White House in Washington, D.C. He has appeared as featured soloist with The United States Army Chorus, special guest performer on Washington’s Embassy Row, and in concert for notable public officials, including the President of the United States and the Prince of Wales. <i>ConcertoNet.com</i> calls him "an experienced and versatile soloist." <i>MusicWeb International</i> praises his "delicious piano playing," and<i> Audiophile Audition</i>, his "adroit and sparkling" performances. Born in San Francisco, he quickly earned a reputation as a prodigious talent. By the age of eleven, he was performing with major orchestras under conductors such as Riccardo Chailly and Edo de Waart and operatic legends Luciano Pavarotti, Montserrat Caballé and Georgio Tozzi.</p><p><a class="no-pjax" href="/about" data-link-type="page" data-imported="1">www.HenryDehlinger.com</a></p><h2>About Danielle Talamantes</h2><p>Soprano <strong>Danielle Talamantes </strong>is an international recitalist who made her Carnegie Hall debut in a solo recital in 2007. Since then, she has appeared as a soloist with the National Symphony Orchestra, Baltimore and Nashville Symphony Orchestras, National Philharmonic Chorale and Orchestra, United States Army Chorus, Choralis, Hochschule für Musik Hanns Eisler, Trujillo Symphony Orchestra and Seoul Philharmonic. Talamantes joined the Metropolitan Opera roster in the spring of 2011. In 2015, she made her Metropolitan Opera stage debut as Frasquita in Bizet’s <i>Carmen</i>. She made her Lincoln Center debut at Alice Tully Hall as the soprano soloist in the world premiere of Bob Chilcott’s <i>Requiem </i>and returned to the National Philharmonic in Beethoven’s <i>Choral Symphony </i>and Mozart’s <i>Requiem </i>and <i>Exsultate, jubilate</i>. Other highlights include the soprano lead in the world premiere production of Janice Hamer’s <i>Lost Childhood </i>with the National Philharmonic, Handel’s <i>Messiah </i>with the Phoenix Symphony, and Donna Anna in Mozart’s <i>Don Giovanni </i>at Cedar Rapids Opera. She also sings the role of Violetta in <i>La traviata </i>at Cedar Rapids Opera and Finger Lakes Opera, Adina in <i>L’elisir d’amore </i>at Gulf Shore Opera and Mimí in <i>La bohéme </i>at St. Petersburg Opera. Talamantes reprises her role as Frasquita and sings the role of Anna in <i>Nabucco </i>at the Metropolitan Opera in the 2016-17 season.</p><p><a class="no-pjax" href="http://www.DanielleTalamantes.com/" target="_blank" data-imported="1">www.DanielleTalamantes.com</a></p><h2>About Mark Riddles</h2><p>Mark Riddles is a talented choral musician and conductor who has spearheaded and performed some of the most renowned programs of sacred music in the United States. Choral organizations under his direction are recognized for their beauty of tonal production, transparent texture, excellent intonation and lyrical sense of line. Riddles enjoys a wide range of music, and his experience includes congregations in Washington, DC, Indianapolis, New York City and Michigan. He has been affiliated with professional organizations such as the American Choral Directors Association in which he served both as state and divisional repertoire and standards chair in the area of Music and Worship. He conducts programs,presents lectures and publishes articles for chapters of the American Guild of Organists, Choral Conductor’s Guild, and other church music related organizations and publications.</p><h2>About The Casement Fund</h2><p>Headquartered in New York City, The Casement Fund supports new directions in creative writing, especially in connection with the other arts. It provides grants to accredited institutions of higher learning for seminars supporting The Casement Fund's purpose and to other non-profit organizations to encourage private and public performances and publications. The Casement Fund sponsors programs for writing through The Writers’ Studio, Issue Project Room and the Poetry Brothel; programs for theater education through The Classical Theater of Harlem and The Tank; and programs for songwriting through the International Contemporary Ensemble and through the Casement Recital series and Casement Triad Grants. It also supports university programs in writing and music.</p><p><a class="no-pjax" href="http://www.casementfund.org" target="_blank" data-imported="1">www.casementfund.org</a></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029827
2015-05-31T20:00:00-04:00
2023-05-22T15:37:52-04:00
Gramophone Hails Henry Dehlinger in Sensational CD Review
<p> </p><p><a class="no-pjax" href="/canciones-espanolas" data-link-type="page" data-imported="1"><i><strong>Canciones españolas</strong></i></a>, Danielle Talamantes and Henry Dehlinger's latest recording of Spanish songs by Enrique Granados, Manuel de Falla and Joaquin Turina, receives critical acclaim in <a class="no-pjax" href="/files/485703/gramophone-may-2015.pdf" target="_blank" data-imported="1">a sensational review</a> from Laurence Vittes in the May 2015 issue of <i>Gramophone</i> Magazine, the world’s authority on classical music since 1923.</p><p>“Young American soprano Danielle Talamantes’s seductive recital of Spanish songs and arias stands out from the crowd for Henry Dehlinger’s exquisite piano-playing...and the gorgeous MSR Classics recording,” Mr. Vittes declares. “Talamantes shines radiantly as if the composer had been writing specifically for her voice, and Dehlinger’s vibrantly colorful palette instantaneously matches her emotions without ever obscuring her vocal beauty.”</p><p>Mr. Vittes singles out Manuel de Falla’s <i>Nana</i> from <i>Siete canciones populares españolas</i> as “one of those audiophile experiences in which every sound is captured in detail so naturally placed within its acoustic environment – in this case Vienna Presbyterian Church in Virginia near Wolf Trap National Park for the Performing Arts – that it can serve as a touchstone for capturing musical excellence.”</p><h2>About Gramophone</h2><p>Based in London, <i>Gramophone</i> is the world's most trusted classical music reviews magazine thanks to its panel of expert critics who review the most important and interesting new releases in each issue. Subscribers can also access <i>Gramophone's</i> unique and vast reviews database and digital archive collated from over 91 years of superb classical music commentary. It was founded in 1923 by the Scottish author Compton Mackenzie and acquired by Haymarket in 1999. In 2013, the Mark Allen Group became the publisher. The magazine presents the <i>Gramophone Awards</i> each year to the classical recordings which it considers the finest in a variety of categories. Apart from the annual <i><span>Gramophone Awards</span></i>, each month features a dozen recordings as <i>Gramophone Editor's Choice</i>. [ <a class="no-pjax" href="http://www.gramophone.co.uk" target="_blank" data-imported="1">www.gramophone.co.uk</a> ]</p><h2>About MSR Classics</h2><p>MSR Classics is a division of MSR Music, founded in 1997 as Musicians Showcase Recordings by Robert LaPorta, a 26-year veteran of the music industry. Mr. LaPorta served as Director of Classics at Angel Records and the EMI-Virgin Classics label group. He was also Marketing and Production Manager with London-Decca Records, Deutsche Grammophon and Philips Classics of the PolyGram label group. Mr. LaPorta is a voting member of The Recording Academy, organizer of the GRAMMY Awards, and former member of the GRAMMY Classical Committee. [ <a class="no-pjax" href="http://www.msrcd.com" target="_blank" data-imported="1">www.msrcd.com</a> ]</p><h2>About Danielle Talamantes</h2><p>"Talamantes shines radiantly..." is <i>Gramophone's</i> latest praise of soprano Danielle Talamantes. Since making her Carnegie Hall debut in 2007, she has enjoyed an internationally celebrated career, appearing as soprano soloist with the National Symphony Orchestra, Baltimore Symphony Orchestra, Choralis, Nashville Symphony, National Philharmonic Orchestra, Seoul Philharmonic, Théâtre du Châtelet in Paris, Trujillo Symphony Orchestra of Peru, and The United States Army Band. After debuting as Violetta in <i>La traviatta</i>, one San Francisco reviewer declared, “It’s not often that a fortunate opera-goer witnesses the birth of a star!” Talamantes went on to join the Metropolitan Opera roster in 2011. She made her debut as Mimi in Puccini's <i>La bohème</i> with the Capital City Symphony in 2013, and returned to the Met as Frasquita in Bizet's <i>Carmen </i>in the 2014-15 season. After her Lincoln Center Alice Tully debut as soprano soloist in Bob Chilcott’s global premier of <i>Requiem </i>in 2014,<i> New York Concert Review </i>praised her performance as, "exquisitely controlled and crystalline in its clarity...as if an angel were ascending into the heavens." [ <a class="no-pjax" href="http://www.DanielleTalamantes.com/bio" target="_blank" data-imported="1">www.DanielleTalamantes.com</a> ]</p><h2>About Henry Dehlinger</h2><p>Hailed by <i>Gramophone</i> for his “exquisite piano-playing” and “vibrantly colorful palette,” pianist Henry Dehlinger is widely acclaimed for his interpretation of Spanish classical music. He is admired as "an experienced and versatile soloist" by <i>ConcertoNet.com</i>, while <i>MusicWeb International</i> praises his "delicious piano playing," and <i>Audiophile Audition</i> applauds his "adroit and sparkling" performances. He has appeared on leading stages from the San Francisco War Memorial and Performing Arts Center to the White House in Washington, D.C. Born in San Francisco, he quickly earned a reputation as a prodigious talent. By the age of ten, he was performing with major orchestras under conductors such as Riccardo Chailly and Edo de Waart, and operatic legends such as Luciano Pavarotti, Montserrat Caballé and Georgio Tozzi. His critically acclaimed recordings on the MSR Classics label are available on <a class="no-pjax" href="http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=henry+dehlinger&rh=n%3A5174%2Ck%3Ahenry+dehlinger" target="_blank" data-imported="1">Amazon</a>, <a class="no-pjax" href="http://www.arkivmusic.com/classical/albumList.jsp?name_id1=247436&name_role1=2&bcorder=2&album_sort=4" target="_blank" data-imported="1">ArkivMusic</a>, <a class="no-pjax" href="http://www.cdbaby.com/cd/henryalonzodehlinger" target="_blank" data-imported="1">CD Baby</a>, and <a class="no-pjax" href="https://itunes.apple.com/us/artist/henry-dehlinger/id471987065" target="_blank" data-imported="1">iTunes</a>. [ <a class="no-pjax" href="/about" data-link-type="page" data-imported="1">www.HenryDehlinger.com/about</a> ]</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029826
2015-01-18T19:00:00-05:00
2023-05-22T15:38:10-04:00
Talamantes and Dehlinger Album Garners Critical Acclaim
<p><a class="no-pjax" href="/canciones-espanolas" data-link-type="page" data-imported="1"><i><strong>Canciones españolas</strong></i></a>, featuring soprano Danielle Talamantes and pianist Henry Dehlinger in a gorgeous recording of Spanish songs by Enrique Granados, Manuel de Falla and Joaquin Turina, continues to garner critical acclaim. In his December 2014 album review on <i>ConcertoNet.com</i>, Charles Pope Jr. writes, Danielle Talamantes "is striking, authoritative and decidedly attractive to hear...Henry Dehlinger, an experienced and versatile soloist, provides fine, superbly calibrated support throughout the program."</p><p>In his <i>Audiophile Audition</i> magazine review, Steven Ritter says, "Danielle Talamantes rips into a recital of some of Spain’s greatest composers with such daring and furiously emotive singing that you hold your breath at the exuberance and seat-of-your-pants vocal dexterity...Pianist Henry Dehlinger has to be given a lot of credit for the total success of this album with his adroit and sparkling instrumental partnership...<strong>I am stunned. This is simply one of the best recordings of the year.</strong>"</p><p>Reviewer Phil Muse echoes Mr. Pope's and Mr. Ritter's sentiments in his November 2014 review published by the <i>Audio Video Club of Atlanta</i>, “Talamantes has the perfect voice for this recital – intelligent, well-modulated, and sensitive to all the emotions in a program of highly nuanced songs...From the very beginning of the program, <i>La maja y el ruiseñor</i>...with the brief but eerily effective piano introduction by accompanist Henry Dehlinger setting the nocturnal scene, we know we are in for a rare experience in lyrics that speak eloquently, as only Spanish songs can, of the amorous longing, joy and despair of those who fall in love."</p><p><a class="no-pjax" href="/canciones-espanolas" data-link-type="page" data-imported="1"><i><strong>Canciones españolas</strong></i></a> is available on CD and download from <a class="no-pjax" href="http://www.amazon.com/Canciones-espa%C3%B1olas-amatorias-selection-canciones/dp/B00MH5W6AS/ref=sr_1_5?ie=UTF8&qid=1408743056&sr=8-5&keywords=henry+dehlinger" target="_blank" data-imported="1">Amazon</a>, <a class="no-pjax" href="http://www.arkivmusic.com/classical/album.jsp?album_id=1552918" target="_blank" data-imported="1">ArkivMusic</a>, <a class="no-pjax" href="https://itunes.apple.com/us/album/canciones-espanolas/id933593453" target="_blank" data-imported="1">iTunes</a>, <a class="no-pjax" href="http://www.cdbaby.com/cd/danielletalamantes" target="_blank" data-imported="1">CD Baby</a>, and other music stores following its recent release by <a class="no-pjax" href="http://www.msrcd.com/catalog/cd/MS1476" target="_blank" data-imported="1">MSR Classics</a>.</p><h2>About Danielle Talamantes</h2><p>Soprano Danielle Talamantes is an international recitalist who made her Carnegie Hall debut in a sold-out solo recital in 2007. Since then, she has sung as soprano soloist with the National Symphony Orchestra, Baltimore Symphony Orchestra, Choralis, Hochschule für Musik Hanns Eisler in Berlin, Nashville Symphony, National Philharmonic Chorale & Orchestra, Oratorio Society of Virginia, Seoul Philharmonic, Théâtre du Châtelet in Paris, Trujillo Symphony Orchestra of Peru, and The United States Army Band. Talamantes joined the Metropolitan Opera roster in 2011, covering the role of Najade in Richard Strauss’ <i>Ariadne auf Naxos</i>. She was subsequently re-engaged to cover the role of the Flower Maiden in Wagner’s <i>Parsifal</i>, the soprano in the quartet of lovers in the Baroque pastiche, <i>The Enchanted Island</i>, and most recently to perform in Strauss’ <i>Die Frau ohne Schatten</i>.</p><p>In 2013, she made her debut as Mimì in Puccini’s <i>La bohème</i> with the Capital City Symphony and performed the soprano lead in the world premiere production of Janice Hamer’s <i>Lost Childhood</i> with the National Philharmonic in Washington D.C. She was Soprano-in-Residence for the Summer 2012 Marlboro Music Festival in Marlboro, Vermont. Talamantes made her Lincoln Center Alice Tully debut in the 2013-14 season as the soprano soloist in Bob Chilcott’s <i>Requiem</i>, and she will make her stage debut in a return to the Metropolitan Opera in the 2014-2015 season as Frasquita in Bizet’s <i>Carmen</i>.<br>[ <a class="no-pjax" href="http://www.DanielleTalamantes.com" target="_blank" data-imported="1">www.DanielleTalamantes.com</a> ]</p><h2>About Henry Dehlinger</h2><p>Widely acclaimed for his interpretation of Spanish classical music, pianist Henry Dehlinger has distinguished himself on many celebrated stages, from the San Francisco War Memorial and Performing Arts Center to the White House in Washington, D.C. Born in San Francisco, Dehlinger started playing the piano at age six and singing at seven. His first music mentor was conductor and choirmaster Dr. William Ballard, Artistic Director of the San Francisco Boys Chorus, whom Dehlinger credits for his early success. By age ten, Dehlinger was part of the Bay Area music scene, performing at the San Francisco Opera with operatic legends that include Luciano Pavarotti, Montserrat Caballé and Georgio Tozzi, and at the San Francisco Symphony under the direction of Edo de Waart. At twelve, Dehlinger became a pupil of renowned piano virtuoso Thomas LaRatta with whom he continues piano performance studies.</p><p>Dehlinger has been a featured piano soloist with the United States Army Chorus and guest performer on Washington’s Embassy Row. He has also performed for numerous notable public officials, including the President of the United States and the Prince of Wales. Previously a technology entrepreneur, he released his first solo piano album in 2011, <a class="no-pjax" href="http://www.cdbaby.com/cd/henryalonzodehlinger" target="_blank" data-imported="1"><i>Evocations of Spain</i></a>, featuring selections from Isaac Albéniz’s <i>Iberia</i> and <i>Suite española</i> and Enrique Granados’ <i>Danzas españolas</i>, <i>Seis piezas sobre cantos populares españoles</i>, and <i>Goyescas</i>. In August 2014, he released his second album, <a class="no-pjax" href="http://www.msrcd.com/catalog/cd/MS1476" target="_blank" data-imported="1"><i>Canciones españolas</i></a>, to critical acclaim on the <a class="no-pjax" href="http://www.msrcd.com/catalog/cd/MS1476" target="_blank" data-imported="1">MSR Classics</a> label. A collaboration with Metropolitan Opera soprano Danielle Talamantes, a rising star in the international opera scene, the album features a gorgeous recital of Spanish songs and arias by Enrique Granados, Manuel de Falla and Joaquín Turina.</p><p>He lives between Washington, D.C. and California with his wife, Lauren, and their Shetland Sheepdogs, Lucy and Spy. [ <a class="no-pjax" href="http://www.henrydehlinger.com" data-imported="1">www.HenryDehlinger.com</a> ]</p><h2>About MSR Classics</h2><p>MSR Classics is a division of MSR Music, founded in 1997 as Musicians Showcase Recordings by Robert LaPorta, a 26-year veteran of the music industry. Mr. LaPorta served as Director of Classics at Angel Records and the EMI-Virgin Classics label group. He was also Marketing and Production Manager with London-Decca Records, Deutsche Grammophon and Philips Classics of the PolyGram label group. Mr. LaPorta is a voting member of the National Academy of Recording Arts and Sciences (NARAS) and former member of the Grammy Classical Committee. [ <a class="no-pjax" href="http://www.msrcd.com" target="_blank" data-imported="1">www.msrcd.com</a> ]</p><h2>About ConcertoNet.com</h2><p>ConcertoNet.com is one of the most important online magazines that is focused exclusively on classical music. Founded in September 1997 by founding editor Philippe Herlin, ConcertoNet.com provides information about and reviews of significant classical music performances and album releases from around the world. Its mission is to be a connection point for music lovers and those active within the world of classical music. [ <a class="no-pjax" href="http://www.concertonet.com" target="_blank" data-imported="1">www.concertonet.com</a> ]</p><h2>About Audiophile Audition</h2><p>Audiophile Audition is an online magazine for audio buffs, record collectors and music lovers, publishing over 100 disc reviews a month of classical, jazz, pop, movies, documentaries, and operas on Blu-ray and DVD, and hi-res music. Audiophile Audition also reviews audio and home theater equipment and supply news on audio.</p><h2>About the Audio Video Club of Atlanta</h2><p align="left">The Audio Video Club of Atlanta is dedicated to the enjoyment of music and video reproduction in all of its many and varied formats. Club members’ interests in the hobby include designing, building, refurbishing, listening, watching, and performing music. Classical album reviews by Dr. Phil Muse are published monthly by the club and have become highly influential in uncovering up-and-coming artists and significant new releases. [<a class="no-pjax" href="http://www.a-vcoa.org/content.aspx?page_id=22&club_id=290418&module_id=131981" target="_blank" data-imported="1">www.a-vcoa.org</a> ]</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029825
2014-11-05T19:00:00-05:00
2023-05-22T15:38:26-04:00
Henry Dehlinger Looks Forward to CD Release Concert
<p>Soprano Danielle Talamantes, a rising star on the international opera scene, and pianist Henry Dehlinger, widely acclaimed for his interpretation of Spanish classical music, will celebrate the release of their critically acclaimed new album, <a class="no-pjax" href="/canciones-espanolas" data-link-type="page" data-imported="1"><i>Canciones españolas</i></a>, at a CD Release Concert on Sunday, November 23, 2014 at Vienna Presbyterian Church, the Washington-area venue where it was recorded. Following the performance, Talamantes and Dehlinger will be on hand to greet fans and autograph CDs.</p><p>The concert program includes songs and arias by Enrique Granados, Manuel de Falla, and Joaquin Turina, featured on Talamantes and Dehlinger's <a class="no-pjax" href="http://www.msrcd.com/catalog/cd/MS1476" target="_blank" data-imported="1">MSR Classics</a> release, as well as musical teasers from upcoming projects.</p><p><strong>Where:</strong> Vienna Presbyterian Church, 124 Park Street, NE, Vienna, VA 22180</p><p><strong>When:</strong> 7:00 PM</p><p><strong>Tickets:</strong> $20 - All seats are general admission.</p><h2>About Danielle Talamantes</h2><p>Soprano Danielle Talamantes is an international recitalist who made her Carnegie Hall debut in a sold-out solo recital in 2007. Since then, she has sung as soprano soloist with the National Symphony Orchestra, Baltimore Symphony Orchestra, Choralis, Hochschule für Musik Hanns Eisler in Berlin, Nashville Symphony, National Philharmonic Chorale & Orchestra, Oratorio Society of Virginia, Seoul Philharmonic, Théâtre du Châtelet in Paris, Trujillo Symphony Orchestra of Peru, and The United States Army Band. Talamantes joined the Metropolitan Opera roster in 2011, covering the role of Najade in Richard Strauss’ <i>Ariadne auf Naxos</i>. She was subsequently re-engaged to cover the role of the Flower Maiden in Wagner’s <i>Parsifal</i>, the soprano in the quartet of lovers in the Baroque pastiche, <i>The Enchanted Island</i>, and most recently to perform in Strauss’ <i>Die Frau ohne Schatten</i>.</p><p>In 2013, she made her debut as Mimì in Puccini’s <i>La bohème</i> with the Capital City Symphony and performed the soprano lead in the world premiere production of Janice Hamer’s <i>Lost Childhood</i> with the National Philharmonic in Washington D.C. She was Soprano-in-Residence for the Summer 2012 Marlboro Music Festival in Marlboro, Vermont. Talamantes made her Lincoln Center Alice Tully debut in the 2013-14 season as the soprano soloist in Bob Chilcott’s <i>Requiem</i>, and she will make her stage debut in a return to the Metropolitan Opera in the 2014-2015 season as Frasquita in Bizet’s <i>Carmen</i>.<br>[ <a class="no-pjax" href="http://www.DanielleTalamantes.com" target="_blank" data-imported="1">www.DanielleTalamantes.com</a> ]</p><h2>About Henry Dehlinger</h2><p>Widely acclaimed for his interpretation of Spanish classical music, pianist Henry Dehlinger has distinguished himself on many celebrated stages, from the San Francisco War Memorial and Performing Arts Center to the White House in Washington, D.C. Born in San Francisco, Dehlinger started playing the piano at age six and singing at seven. His first music mentor was conductor and choirmaster Dr. William Ballard, Artistic Director of the San Francisco Boys Chorus, whom Dehlinger credits for his early success. By age ten, Dehlinger was part of the Bay Area music scene, performing at the San Francisco Opera with operatic legends that include Luciano Pavarotti, Montserrat Caballé and Georgio Tozzi, and at the San Francisco Symphony under the direction of Edo de Waart. At twelve, Dehlinger became a pupil of renowned piano virtuoso Thomas LaRatta with whom he continues piano performance studies.</p><p>Dehlinger has been a featured piano soloist with the United States Army Chorus and guest performer on Washington’s Embassy Row. He has also performed for numerous notable public officials, including the President of the United States and the Prince of Wales. Previously a technology entrepreneur, he released his first solo piano album in 2011, <a class="no-pjax" href="http://www.cdbaby.com/cd/henryalonzodehlinger" target="_blank" data-imported="1"><i>Evocations of Spain</i></a>, featuring selections from Isaac Albéniz’s <i>Iberia</i> and <i>Suite española</i> and Enrique Granados’ <i>Danzas españolas</i>, <i>Seis piezas sobre cantos populares españoles</i>, and <i>Goyescas</i>. In August 2014, he released his second album, <a class="no-pjax" href="http://www.msrcd.com/catalog/cd/MS1476" target="_blank" data-imported="1"><i>Canciones españolas</i></a>, to critical acclaim on the <a class="no-pjax" href="http://www.msrcd.com/catalog/cd/MS1476" target="_blank" data-imported="1">MSR Classics</a> label. A collaboration with Metropolitan Opera soprano Danielle Talamantes, a rising star in the international opera scene, the album features a gorgeous recital of Spanish songs and arias by Enrique Granados, Manuel de Falla and Joaquín Turina.</p><p>He lives between Washington, D.C. and California with his wife, Lauren, and their Shetland Sheepdogs, Lucy and Spye. [ <a class="no-pjax" href="http://www.henrydehlinger.com" data-imported="1">www.HenryDehlinger.com</a> ]</p><h2>About MSR Classics</h2><p>MSR Classics is a division of MSR Music, founded in 1997 as Musicians Showcase Recordings by Robert LaPorta, a 26-year veteran of the music industry. Mr. LaPorta served as Director of Classics at Angel Records and the EMI-Virgin Classics label group. He was also Marketing and Production Manager with London-Decca Records, Deutsche Grammophon and Philips Classics of the PolyGram label group. Mr. LaPorta is a voting member of the National Academy of Recording Arts and Sciences (NARAS) and former member of the Grammy Classical Committee. [ <a class="no-pjax" href="http://www.msrcd.com" target="_blank" data-imported="1">www.msrcd.com</a> ]</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029824
2014-09-30T20:00:00-04:00
2015-06-07T02:26:27-04:00
Henry Dehlinger Performs All-Granados Concert
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/9ccae79627c284fda34065c7c471a4ef8f44e176/original/headshot-2.jpg/!!/b%3AWyJyZXNpemU6MjAweDE0MCJd.jpg" class="size_orig justify_left border_" alt="Pianist Henry Dehlinger" height="140" style="margin: 5px 20px 10px 0px; " width="200" />Pianist Henry Dehlinger returns to California on November 2 for a highly-anticipated concert of piano works by Enrique Granados. The program includes selections from <em>Doce Danzas españolas</em> (<em>Twelve Spanish Dances</em>) and <em>Goyescas</em> - featured in his album, <em><a href="/evocations-of-spain" data-imported="1" data-link-type="page">Evocations of Spain</a></em> - and the glorious <em>Allegro de concierto</em>.</p>
<p>The one-hour performance is part of the Crestmont Conservatory of Music’s annual Piano Marathon series to benefit the conservatory and will be held on Sunday, November 2, 2014 at 2:00 PM at the Crestmont Conservatory of Music, 2575 Flores Street, San Mateo, California.</p>
<h2>Concert Program</h2>
<p><strong>ENRIQUE GRANADOS</strong> (1867-1916)<br><br><em>From</em> 12 DANZAS ESPAÑOLAS, Op. 37<br> [1] No. 1 Minuet<br> [2] No. 5 Andaluza (Playera)<br> [3] No. 6 Rondalla aragonesa</p>
<p><em>From</em> GOYESCAS (SUITE FOR PIANO) Op. 11<br> [4] Los requiebros<br>[5] Coloquio en la reja<br>[6] Quejas, o la maja y el ruiseñor</p>
<p>[7] ALLEGRO DE CONCIERTO, Op. 46</p>
<p><strong>LISTEN<br></strong></p>
<hr>
<p><strong><strong><span class="sm2_link sm2_playing"><span class="st"><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/25420227&color=9c9c6a&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></span></span></strong></strong></p>
<h2>About Henry Dehlinger</h2>
<p>Hailed by <em>Gramophone</em> for his “exquisite piano-playing” and “vibrantly colorful palette,” pianist Henry Dehlinger is widely acclaimed for his interpretation of Spanish classical music. His performances have been described as "adroit and sparkling" by <em>Audiophile Audition</em>, while <em>MusicWeb International</em> praises his "delicious piano playing." A frequent recitalist, he has appeared on leading stages from the San Francisco War Memorial and Performing Arts Center to the White House in Washington, D.C. Born in San Francisco, he quickly earned a reputation as a prodigious talent. By the age of ten, he was performing with major orchestras under conductors such as Riccardo Chailly and Edo de Waart, and operatic legends such as Luciano Pavarotti, Montserrat Caballé and Georgio Tozzi. His critically acclaimed recordings, most recently on the MSR Classics label, are available on <a href="http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=henry+dehlinger&rh=n%3A5174%2Ck%3Ahenry+dehlinger" target="_blank" data-imported="1">Amazon</a>, <a href="http://www.arkivmusic.com/classical/albumList.jsp?name_id1=247436&name_role1=2&bcorder=2&album_sort=4" target="_blank" data-imported="1">ArkivMusic</a>, <a href="http://www.cdbaby.com/cd/henryalonzodehlinger" target="_blank" data-imported="1">CD Baby</a>, <a href="https://itunes.apple.com/us/artist/henry-dehlinger/id471987065" target="_blank" data-imported="1">iTunes</a> and other music stores. [ <a href="/about" data-imported="1" data-link-type="page">www.HenryDehlinger.com/about</a> ]</p>
<h2>About the Crestmont Conservatory of Music</h2>
<p>The Crestmont Conservatory of Music was founded in September 1971 when seven teachers, working with eighty students, formed the nucleus of one the San Francisco Bay Area’s most important cultural institutions. Located in San Mateo, California, the Conservatory is led by co-founder and piano virtuoso Thomas LaRatta, who received his musical training at the Chicago Musical College where he was a scholarship pupil of the great <a href="http://en.wikipedia.org/wiki/Rudolph_Ganz" target="_blank" data-imported="1">Rudolph Ganz</a>. He has appeared as a soloist with the San Francisco Symphony, the Chicago Symphony, the Peninsula Symphony, and many other orchestras throughout the country. Since his San Francisco debut at the Palace of the Legion of Honor, Mr. LaRatta has continued to present recitals throughout the United States and abroad. He enjoys conducting master classes and lecture-recitals and is well known to audiences in Japan and Taiwan, where he has appeared both as master teacher and performer. [ <a href="http://www.crestmontmusic.org" target="_blank" data-imported="1">www.crestmontmusic.org</a> ]</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029823
2014-08-05T20:00:00-04:00
2023-05-22T15:38:51-04:00
Henry Dehlinger Announces New Album Release
<p>Soprano Danielle Talamantes, a rising star on the international opera scene, and pianist Henry Dehlinger, widely acclaimed for his interpretation of Spanish classical music, today released their new album, <i>Canciones españolas</i>.</p><p>The new <a class="no-pjax" href="http://www.msrcd.com/catalog/cd/MS1476" target="_blank" data-imported="1">MSR Classics</a> release features a gorgeous recital of songs by three of Spain's greatest composers - Enrique Granados, Manuel de Falla, and Joaquin Turina. It will be available on <a class="no-pjax" href="http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=henry+dehlinger&rh=n%3A5174%2Ck%3Ahenry+dehlinger" target="_blank" data-imported="1">Amazon</a>, <a class="no-pjax" href="http://www.arkivmusic.com/classical/albumList.jsp?name_id1=247436&name_role1=2&bcorder=2&album_sort=4" target="_blank" data-imported="1">ArkivMusic</a>, <a class="no-pjax" href="http://www.cdbaby.com/cd/henryalonzodehlinger" target="_blank" data-imported="1">CD Baby</a>, <a class="no-pjax" href="https://itunes.apple.com/us/artist/henry-dehlinger/id471987065" target="_blank" data-imported="1">iTunes</a> and other music retail stores around the world.</p><p><strong>LISTEN</strong><br> </p><hr><p><a class="no-pjax" href="http://www.msrcd.com/samples/1476.mp3" target="_blank" title="Listen" data-imported="1"><strong>>> Enrique Granados: Canciones amatorias - No lloréis, ojuelos</strong></a></p><hr><p>Robert LaPorta, founder and CEO of MSR Classics and 26-year veteran of the music industry, will oversee the album’s product management and distribution. “Danielle and I are pleased to release <i>Canciones españolas</i> on the MSR Classics label," said Henry Dehlinger, “and we’re thrilled to take advantage of Rob's energy and expertise.”</p><p><i>Canciones españolas</i> was produced, edited and mastered by Richard Price, whose work was honored with two 2005 Grammy nominations and 1993 Grammy award, and engineered by Wayne Hileman.<ins cite="mailto:Henry%20Dehlinger" datetime="2014-08-17T15:55"> </ins>Messrs. Price and Hileman are the founders of and driving force behind Candlewood Digital LLC, recognized as one of the finest classical recording firms in the United States.</p><p><i>Canciones españolas</i> is a Candlewood Digital <i>Natural Presence</i>™ recording, which means this high-resolution CD reproduces the music’s full dynamic range, as intended by the performers.</p><p>"Many people now listen to highly compressed music all the time and think there is something wrong with a CD if they have to turn their volume knob up," said Richard Price. "To enjoy this recording, put it on a high quality system and turn it up so you can experience the music as if you were listening to a live performance."</p><h2>Program</h2><p><strong>ENRIQUE GRANADOS</strong> (1867 – 1916)<br>[1] LA MAJA Y EL RUISEÑOR from GOYESCAS<br><br>CANCIONES AMATORIAS<br>[2] Mira que soy niña<br>[3] Mañanica era<br>[4] Serranas de Cuenca<br>[5] Gracia mía<br>[6] Descúbrase el pensamiento<br>[7] Lloraba la niña<br>[8] No lloréis, ojuelos<br><br><strong>MANUEL DE FALLA </strong>(1876 – 1946)<br>SIETE CANCIONES POPULARES ESPAÑOLAS<br>[9] El paño moruno<br>[10] Seguidilla murciana<br>[11] Asturiana<br>[12] Jota<br>[13] Nana<br>[14] Canción<br>[15] Polo<br><br><strong>JOAQUÍN TURINA </strong>(1882 – 1949)<br>TRES ARIAS, OP.26<br>[16] Romance<br>[17] El Pescador<br>[18] Rima</p><h2>About MSR Classics</h2><p>MSR Classics is a division of MSR Music, founded in 1997 as Musicians Showcase Recordings by Robert LaPorta, a 26-year veteran of the music industry. Mr. LaPorta served as Director of Classics at Angel Records and the EMI-Virgin Classics label group. He was also Marketing and Production Manager with London-Decca Records, Deutsche Grammophon and Philips Classics of the PolyGram label group. Mr. LaPorta is a voting member of the National Academy of Recording Arts and Sciences (NARAS) and former member of the Grammy Classical Committee. [ <a class="no-pjax" href="http://www.msrcd.com" target="_blank" data-imported="1">www.msrcd.com</a> ]</p><h2>About Candlewood Digital</h2><p>Candlewood Digital LLC is one of the finest classical recording firms in the United States. It was founded in 2006 by Richard Price and Wayne Hileman, following thirty combined years of working together at one of New York's premier classical recording studios. Mr. Price has over 900 commercial CDs to his credit and was honored with two Grammy nominations and one Grammy award. Mr. Hileman has 22 years of experience in the classical recording business producing, engineering, editing and remastering new and historic recordings for numerous labels and artists. [ <a class="no-pjax" href="http://www.candlewooddigital.com" target="_blank" data-imported="1">www.candlewooddigital.com</a> ]</p><h2>About Henry Dehlinger</h2><p>Widely acclaimed for his interpretation of Spanish classical music, pianist Henry Dehlinger has distinguished himself on celebrated stages from the San Francisco War Memorial and Performing Arts Center to the White House in Washington, D.C. Born in San Francisco, Dehlinger started playing the piano at age six and singing at seven. His first music mentor was conductor and choirmaster Dr. William Ballard, Artistic Director of the San Francisco Boys Chorus, whom Dehlinger credits for his early success. By age ten, he was part of the Bay Area music scene, performing at the San Francisco Opera with operatic legends that include Luciano Pavarotti, Montserrat Caballé and Georgio Tozzi. At twelve, he became a pupil of piano virtuoso Thomas LaRatta with whom he continues piano performance studies.</p><p>A featured piano soloist with the United States Army Chorus and frequent guest performer on Washington’s Embassy Row, Dehlinger has also performed for numerous notable public officials, including the President of the United States and the Prince of Wales. Previously a technology entrepreneur, he released his debut classical album in 2011. Entitled <i>Evocations of Spain</i>, the album explores Spain through the piano masterpieces of Isaac Albéniz (1860-1909) and Enrique Granados (1867-1916). [ <a class="no-pjax" href="http://www.HenryDehlinger.com" target="_blank" data-imported="1">www.HenryDehlinger.com</a> ]</p><h2>About Danielle Talamantes</h2><p>Soprano Danielle Talamantes is an international recitalist who made her Carnegie Hall debut in a sold-out solo recital in 2007. Since then, she has sung as soprano soloist with the National Symphony Orchestra, Baltimore Symphony Orchestra, Choralis, Hochschule für Musik Hanns Eisler in Berlin, Nashville Symphony, National Philharmonic Chorale & Orchestra, Oratorio Society of Virginia, Seoul Philharmonic, Théâtre du Châtelet in Paris, Trujillo Symphony Orchestra of Peru, and The United States Army Band. Talamantes joined the Metropolitan Opera roster in 2011, covering the role of Najade in Richard Strauss’ <i>Ariadne auf Naxos</i>. She was subsequently re-engaged to cover the role of the Flower Maiden in Wagner’s <i>Parsifal</i>, the soprano in the quartet of lovers in the Baroque pastiche, <i>The Enchanted Island</i>, and most recently to perform in Strauss’ <i>Die Frau ohne Schatten</i>.</p><p>In 2013, she made her debut as Mimì in Puccini’s <i>La bohème</i> with the Capital City Symphony and performed the soprano lead in the world premiere production of Janice Hamer’s <i>Lost Childhood</i> with the National Philharmonic in Washington D.C. She was Soprano-in-Residence for the Summer 2012 Marlboro Music Festival in Marlboro, Vermont. Talamantes made her Lincoln Center Alice Tully debut in the 2013-14 season as the soprano soloist in Bob Chilcott’s <i>Requiem</i>, and she will make her stage debut in a return to the Metropolitan Opera in the 2014-2015 season as Frasquita in Bizet’s <i>Carmen</i>.<br>[ <a class="no-pjax" href="http://www.DanielleTalamantes.com" target="_blank" data-imported="1">www.DanielleTalamantes.com</a> ]</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029820
2014-05-31T20:00:00-04:00
2014-12-21T03:07:52-05:00
Talamantes and Dehlinger Sign with MSR Classics
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/9524c8c776fd64e5a21c0328ce6266caf597504b/original/both3-8184-countdown-b.jpg/!!/b%3AWyJyZXNpemU6MjAweDE0MCJd.jpg" class="size_orig justify_left border_" alt="Soprano Danielle Talamantes & Pianist Henry Dehlinger" height="140" style="margin: 5px 20px 10px 0px; " width="200" />Pianist Henry Dehlinger announced today that his new classical album with soprano Danielle Talamantes, entitled <em>Canciones españolas</em>, will be released by <a href="http://www.msrcd.com/catalog/cd/MS1476" target="_blank" data-imported="1">MSR Classics</a>. Talamantes and Dehlinger have signed with MSR Classics and are thrilled with the expertise and energy that the independent label is providing.</p>
<p>"Things are really moving now, and we can officially begin the countdown to the album's release." Dehlinger said. "Richard Price, our producer, and Wayne Hileman, our recording engineer, from Candlewood Digital have provided MSR with the finished and fully mastered disc, and we can't wait to get it pressed."</p>
<p>All album materials have been submitted (<em>e.g.</em>, texts, translations, bios, images, and acknowledgements), except the liner notes. MSR has engaged William Craig Krause, PhD, of Hollins University to write the liner notes. Professor Krause is an internationally renowned expert on Spanish classical music and recently co-authored <span class="title"><a href="http://www.amazon.com/Federico-Moreno-Torroba-Currents-American/dp/0195313704" target="_blank" data-imported="1"><em>Federico Moreno Torroba: A Musical Life in Three Acts</em></a> with Professor Walter Aaron Clark of UC Riverside. Professor Krause is also writing a book on the life of Joaquin Turina.</span></p>
<p>Once the liner notes are completed, MSR Classics will work their magic and put the album package and booklet together.</p>
<p>Here's the photo that Talamantes and Dehlinger selected for the album cover:</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/485e0340d96051d4b86189729c722427cf1f6219/original/both3-8184.jpg/!!/b%3AWyJyZXNpemU6NjAweDQwMCJd.jpg" class="size_orig justify_inline border_" alt="Talamantes-Dehlinger Album Cover" height="400" width="600" /></p>
<p style="text-align: right;">Photo by Roy Cox</p>
<h2>About MSR Classics</h2>
<p>MSR Classics was founded in 1997 as Musicians Showcase Recordings by Robert LaPorta, a 26-year veteran of the music industry. LaPorta served as Director of Classics at Angel Records and the EMI-Virgin Classics label group. He was also Marketing and Production Manager with London-Decca Records, Deutsche Grammophon and Philips Classics of the PolyGram label group. LaPorta is a voting member of National Academy of Recording Arts and Sciences (NARAS) and former member of the Grammy Classical Committee.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029821
2014-05-18T20:00:00-04:00
2023-05-22T15:39:06-04:00
Dehlinger Looks Forward to Opera Highlights Concert
<p>Pianist Henry Dehlinger will join Metropolitan Opera soprano Danielle Talamantes and United States Army Chorus tenor Pablo Talamante as they perform operatic favorites by Donizetti, Puccini, Granados, Obadors, and more!</p><p>“<i>An Evening of Opera Highlights</i>” will be held on Sunday, June 1, 2014 at Vienna Presbyterian Church, 124 Park Street NE, Vienna, VA 22180 at 6:00 PM.</p><h2>About Danielle Talamantes</h2><p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/565fd3ae447f197b07c507852a1abb9b5fd94ca0/original/danielle4-8516.jpg/!!/b%3AWyJyZXNpemU6MjAweDMwMCJd.jpg" class="size_orig justify_left border_" alt="Danielle Talamantes" height="300" width="200" />Soprano Danielle Talamantes is an international recitalist who made her Carnegie Hall debut in a sold-out solo recital in 2007. Since then, she has sung as soprano soloist with the National Symphony Orchestra, Baltimore Symphony Orchestra, Choralis, Hochschule für Musik Hanns Eisler in Berlin, Nashville Symphony, National Philharmonic Chorale & Orchestra, Oratorio Society of Virginia, Seoul Philharmonic, Théâtre du Châtelet in Paris, Trujillo Symphony Orchestra of Peru, and United States Army Band.</p><p>Talamantes joined the Metropolitan Opera roster in 2011, covering the role of Najade in Richard Strauss’ <i>Ariadne auf Naxos</i>. She was subsequently re-engaged to cover the role of the Flower Maiden in Wagner’s <i>Parsifal</i>, the soprano in the quartet of lovers in the Baroque pastiche, <i>The Enchanted Island</i>, and most recently to perform in Strauss’ <i>Die Frau ohne Schatten</i>.</p><p>In 2013, she made her debut as Mimì in Puccini’s <i>La bohème</i> with the Capital City Symphony and performed the soprano lead in the world premiere production of Janice Hamer’s <i>Lost Childhood</i> with the National Philharmonic in Washington D.C. She was Soprano-in-Residence for the <i>Summer 2012 Marlboro Music Festival</i> in Marlboro, Vermont. In the 2014-2015 season, Talamantes makes her stage debut in a return to the Metropolitan Opera as Frasquita in Bizet’s <i>Carmen</i>, and her Lincoln Center debut at Alice Tully Hall as the soprano soloist in Bob Chilcott’s <i>Requiem</i>.</p><h2>About Pablo Talamante</h2><p><img src="http://viennachoralsociety.org/wp-content/uploads/Talamante__Pablo_color_headshoulder.jpg" class="size_orig justify_left border_" alt="Pablo Talamante" height="233" width="200" />A native of Sonora, Mexico, tenor Pablo Talamante made his operatic début with Kentucky Opera's production of <i>Salome </i>as the Third Jew. Since then, he has sung many roles on a variety of stages in both concert and opera throughout the United States and Mexico and has been in high demand for Ariel Ramírez's <i>Misa Criolla</i>.</p><p>He currently serves as the Latin American representative of Hispano-American music to the United States Army Band (Pershing's Own) and Chorus, as well as one of their soloists. The ensembles perform for many dignitaries and high ranking officials including the President of the United States.</p><p>His musical education comes from the University of Louisville and the Catholic University of America where he is currently finishing his master's degree in Latin American Musical Studies. He currently studies voice with Jaques Trossell. He is also on the rosters of Stachi Modeling agency and Gala Hispanic Theatre in Washington, DC.</p><h2>About Henry Dehlinger</h2><p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/9869aab26772e719801344ab251e046de1d6835c/original/henry15-7650.jpg/!!/b%3AWyJyZXNpemU6MjAweDMwMCJd.jpg" class="size_orig justify_left border_" alt="Henry Dehlinger" height="300" width="200" />Pianist Henry Dehlinger has distinguished himself on celebrated stages from the San Francisco War Memorial and Performing Arts Center to the White House in Washington, D.C.</p><p>Born in San Francisco, Dehlinger started playing the piano at age six and singing at seven. By age ten, he was part of the Bay Area music scene, performing with operatic legends that include Luciano Pavarotti, Montserrat Caballé and Giorgio Tozzi. A featured piano soloist with the United States Army Chorus and guest performer on Washington’s Embassy Row, Dehlinger has also performed for numerous notable public officials, including the President of the United States and the Prince of Wales.</p><p>Previously a technology entrepreneur, he released his first solo piano recording in 2011, <i>Evocations of Spain</i>, featuring selections from Isaac Albéniz’s <i>Iberia</i> and <i>Suite española</i> and Enrique Granados’s <i>Goyescas</i> and <i>Danzas españolas</i>.</p><p>Now, widely acclaimed as a significant interpreter of Spanish classical piano, he is currently working on a brand new classical album with Metropolitan Opera soprano Danielle Talamantes, a rising star in the international opera scene. Entitled <i>Canciones españolas</i>, it will feature great Spanish art songs and arias by Enrique Granados, Manuel de Falla and Joaquín Turina. It will be released summer 2014 on the <a class="no-pjax" href="http://www.msrcd.com" target="_blank" data-imported="1">MSR Classics</a> label.</p><div>Dehlinger earned his BA from Santa Clara University, and studied Spanish literature at the University of Valencia in Spain.</div>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029817
2014-04-22T20:00:00-04:00
2014-08-22T06:45:39-04:00
Candlewood Digital Completes Album's "First Edits"
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/769d8262486bc9bcf7e3c654f8076b2a1d2fc1e4/original/turn-it-up.jpg/!!/b%3AWyJyZXNpemU6MjAweDE0MCJd.jpg" class="size_orig justify_left border_" alt="Danielle Talamantes and Henry Dehlinger in Recording Session" height="140" style="margin: 5px 20px 10px 0px; " width="200" />Soprano Danielle Talamantes and pianist Henry Dehlinger are happy to announce that the "first edits" of their upcoming classical album, <em>Canciones españolas</em>, have been completed.</p>
<p>Producer Richard Price, whose work has been honored with two 2005 Grammy nominations and 1993 Grammy award, and engineer Wayne Hileman from Candlewood Digital went through the recording session takes for these “first edits.”</p>
<p>This iteration of the album represents what Messrs. Price and Hileman think is the best available material. Not starting points, but a finished, polished and ready-to-press CD.</p>
<p>What’s next? Talamantes and Dehlinger will give the CD a few good listens (or ten or twenty). Then, they’ll listen to each track in detail just to make sure there aren’t any spots they’d like to revisit. Last, they’ll make sure they like the timings between tracks.</p>
<p>Candlewood Digital puts a blurb on their recordings that have large dynamic ranges. (<em>Canciones españolas</em> has a huge dynamic range, and that’s a good thing!):</p>
<p><em>“This high-resolution CD reproduces the music’s full dynamic range, as intended by the performers. To enjoy this recording, put it on a high quality system and turn it up!”</em></p>
<p>"Many people now listen to highly compressed music all the time and think there is something wrong with a CD if they have to turn their volume knob up, which is not the case, especially with great classical music recordings like this one," says Richard Price. "The knob certainly should be turned up for this CD so you can enjoy both the soft nuances and passionate fortissimo moments."</p>
<p>After a couple straight-through listens, Talamantes and Dehlinger think it’s absolutely fantastic!</p>
<p>More to come…</p>
<h2>About Candlewood Digital</h2>
<p class="body">Candlewood Digital LLC is recognized as one of the finest classical recording firms in the United States. It was founded in 2006 by Richard Price and Wayne Hileman, following thirty combined years of working together at one of New York's premier classical recording studios. Mr. Price has over 900 commercial CDs to his credit and was honored with two Grammy nominations and one Grammy award. Mr. Hileman has <span class="body">22 years of experience in the classical recording business producing, engineering, editing & remastering new and historic recordings for numerous labels and artists.</span></p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029818
2013-07-26T20:00:00-04:00
2023-05-05T06:53:47-04:00
Rehearsing Falla's Cycle of Seven Spanish Folksongs
<p>Soprano Danielle Talamantes and pianist Henry Dehlinger have amped up the rehearsal schedule as they prepare to record their new CD, <i>Canciones españolas</i>.</p><div style="left:-1988px;position:absolute;top:-1999px;" id="stcpDiv">Canciones españolas</div><div style="left:-1988px;position:absolute;top:-1999px;" id="stcpDiv">Canciones españolas</div><p>This week, they rehearsed <i>Siete canciones populares españolas</i> by Manuel de Falla. This is one of the most-recorded sets of Spanish art music. Some are asking, how will this recording stand out from all the others?</p><p>Remember the punch line to the old joke, “How do you get to Carnegie Hall?” (Answer: Practice, practice, practice.)</p><p>To become intimate with Falla’s marvelous creation, Talamantes and Dehlinger had to work through each phrase, each measure and each note. But achieving technical competence through repetition is not the sole purpose of practicing.</p><p>If you’re a singer or a pianist (or any performing artist, for that matter) who aspires to greatness, you have to do a lot more than just wow your audience with your technical prowess.</p><p>Here are 4 tips they've been following to help reach that goal:</p><h2>1. Make mistakes. Just don’t be boring</h2><p>Too many classical musicians strive for technical perfection that owes less to the composer’s creative invention than to their desire to create a “perfect” product. The unfortunate result is soulless precision or, at best, synthetic beauty.</p><p>Boring!</p><p>Fortunately, Talamantes’s musical paternity is unmistakably evident. Her voice teacher, Elizabeth Daniels, says the magic of the singer’s art (and pianist’s, for that matter) is not technique. It’s using technique to elicit emotion.</p><p>Brava!</p><p>Daniels was a pupil of the great Todd Duncan, the legendary baritone who created the role of Porgy in Gershwin’s ''Porgy and Bess'' and first African-American to join the New York City Opera. It was Duncan who famously admonished his students, “Please, please make mistakes. Just don’t bore me.”</p><p>So, go ahead, make mistakes. But, whatever you do, don’t be boring. That’s #1!</p><h2>2. Be musical, not technical</h2><p>Manuel de Falla wrote, “In all honesty, I think that in popular song, the spirit is more important than the letter.”</p><p>Amen!</p><p>Talamantes and Dehlinger didn’t start working on the <i>Siete canciones</i> from the technical side first. They began working out the details only after running through the entire set and understanding it as a whole. They learned the meaning of Falla’s sensational work, the feelings it seeks to convey, and the thoughts that were in Falla’s mind when he wrote it.</p><p>Don’t just read the music and perform what’s written, although that’s a start. Feel the music, and let it unfold from within. There’s a lot of power in that, and your audience will feel it.</p><p>So, what did they learn while being Falla?</p><p>Falla wrote the <i>Siete canciones</i> in 1914, the year he returned to Spain after seven years of self-imposed exile in Paris. The rhythms are intoxicating and make you feel each song’s intensely Spanish color. They include an Andalusian triple-meter dance with accented second beats in the first song and a Seguidilla dance with its rapidly pulsating triplets in the second song.</p><p>The third song, <i>Asturiana</i>, introduces a wonderful Celtic element. (Yes, there were Celts in Spain. In fact, the original Asturians were a Celtic tribe that battled the Roman legions.) One must let oneself go while experiencing this song. They'll think they’ve landed in the Scottish Highlands, especially when hearing the swirl of bagpipes intimated in the piano accompaniment.</p><p>The fourth song uses a bouncy <i>Jota</i> dance rhythm to separate several wonderfully bashful stanzas that are sung in a more restrained tempo. The fifth song, <i>Nana</i>, is a moving lullaby with haunting Moorish overtones that are evident in the inflections at the end of each phrase.</p><p><i>Canción</i> subtly suggests the dry rattle of castanets. <i>Polo</i>, the last song, is pure Flamenco with its pulse-like rhythm and singer’s passionate cries of “Ay!” which Talamantes intensifies into gorgeous, boisterous laments.</p><p>Be musical! That’s #2.</p><h2>3. Make it sound spontaneous</h2><p>Zygmunt Stojowski, the Polish composer and pianist acclaimed for the performance classes he led at the Juilliard School in the 1930s and 40s, once said, “A great artist’s performance of a noble work ought to sound like a spontaneous improvisation; the greater the artist, the more completely will this result be obtained.”</p><p>Amen, again!</p><p>Siete canciones is the product of Falla’s fiery treatment of Andalusian folk themes. It has to sound like a spontaneous improvisation, or it isn’t going to move anyone emotionally. But in order to arrive at this result, you have to work out each detail and bring it to perfection.</p><p>A great example is <i>Nana</i>. This poignant lullaby is laced with Middle Eastern inflections at the end of each phrase that reveal the Moorish influence on Andalusian singing. There are an infinite number of variations that can be dreamed up based on the purely melodic lines of the song.</p><p><img src="//d10j3mvrs1suex.cloudfront.net/u/393944/a784cc1565e552ddd27687cbb022d9293a146ada/original/dt-blog-pic.jpg/!!/b%3AWyJyZXNpemU6MjAweDIwMCJd.jpg" class="size_orig justify_right border_" alt="Danielle Talamantes" height="200" width="200" />One day, after a second run-through of Nana, Talamantes asked Dehlinger, “Can we do it again? I want to do something different.”</p><p>What could she do differently? The last run-through was spot on, Dehlinger thought.</p><p>They ran through it a third time, and Wow! A tingling sensation rose up their spines. Here was the exhilarating scent of Spanish jasmines amid the ever-verdant palaces of Andalusia, minarets and all, a veritable fantasy of the Arabian Nights!</p><p>It seemed like a spontaneous improvisation, but she focused on one very important detail improvement. She adjusted the whole “color” of the piece by singing some parts in “straight tone.”</p><p>What’s straight tone? Singing in straight tone means singing without vibrato. Vibrato occurs naturally as one’s voice develops, and it alleviates pressure on the vocal cords. Singing at loud volume in straight tone can actually be dangerous, mainly because it increases pressure on the vocal cords.</p><p>Singing at low volume in straight tone, on the other hand, is safe. It imparts a haunting or mystical quality to a song. That’s why it’s often used in sacred music. (Think Gregorian chant or Bluegrass singing, which Bill Monroe, an early pioneer of the genre, characterized as “Methodist and Holiness and Baptist.”)</p><p>But you need to know what you’re doing. Singing in straight tone requires a certain level of Zen that a professional singer acquires only after years of disciplined vocal control.</p><p>By working out that detail, Talamantes elevated <i>Nana</i> to a whole new level, making it an emotional experience.</p><p>So, make it sound like a spontaneous improvisation. That’s #3.</p><h2>4. Take Risks</h2><p>You have to take risks in your performances. If you don’t, you’re not doing it from the heart. Yes, you will make a few mistakes along the way. (Remember Tip #1?) But the most perfect performances are frequently the most sterile.</p><p>Arthur Rubinstein, one of the greatest pianists of the twentieth century, understood just that. When asked about his rival, Vladimir Horowitz, Rubinstein famously replied Horowitz was the better pianist, but not the better musician.</p><p>On another occasion, he explained, “I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew. It's like making love. The act is always the same, but each time it's different.''</p><p>That’s #4, and it couldn’t be said any better.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029819
2013-06-27T20:00:00-04:00
2023-05-22T15:39:40-04:00
Using Kickstarter to Bring a New Classical CD to Life
<p>Pianist Henry Dehlinger is rehearsing for his next album - a collaboration with a good friend and rising star on the international opera scene, Danielle Talamantes.</p><p>Entitled <i>Canciones españolas</i>, the ambitious recording project features 18 Spanish classical songs by Enrique Granados, Manuel de Falla and Joaquín Turina. It's being funded through Kickstarter.<br><br> </p><h2>Kickstarter Project Video</h2><p><iframe frameborder="0" height="360" scrolling="no" src="https://www.kickstarter.com/projects/594665796/met-soprano-danielle-talamantes-records-her-debut/widget/video.html" width="480"></iframe></p><p>Video by Matthew Kim</p><h2>Meet Danielle Talamantes</h2><p>If you’re not acquainted with Danielle Talamantes’s brilliant voice and expressive phrasing, which are perfect for this music, you will quickly become a fan. She made her Carnegie Hall debut in 2007. After her debut as Violetta in Verdi’s <i>La Traviata</i> in 2010, a San Francisco Bay Area reviewer said, “It’s not often that a fortunate operagoer witnesses the birth of a star.”</p><p>She went on to earn a spot on the Metropolitan Opera roster, placed first in several prestigious opera competitions and was a finalist in the Seoul International Opera Competition and Plácido Domingo's <i>Paris Operalia</i>. Her latest triumph was debuting as Mimi in Puccini’s <i>La Bohème </i>in Washington, DC earlier this year. Danielle returns to New York in the fall for her third season with the Met, after wrapping up production of <i>Canciones</i> <i>españolas</i>, which will be her debut album.</p><h2>Kickstarter Rewards</h2><p>To ensure Talamantes and Dehlinger can meet the cost of producing a commercial CD comparable to a major label production, they’re raising $8,800 through Kickstarter. How does Kickstarter work? Each donor to the <i>Canciones españolas</i> project is a "backer" who will receive a specific reward based on the sum committed. For example, anyone who pledges $20 or more will get an autographed, pre-release copy of the CD.</p><p>Talamantes and Dehlinger are offering bigger rewards for the project’s most generous backers. These include a full-length concert at your home featuring selections from the new album, or a <i>Paella Valenciana</i> dinner for you and 5 friends with Talamantes and Dehlinger at the pianist's DC area home followed by a special salon recital. They also have premier orchestra seat tickets to hear Talamantes at the Met this fall and tickets to the 2014 CD release party!</p><h2>Producing an Ambitious New Classical Album</h2><p>Once they meet their funding goal, they’ll begin production in September 2013. All 18 tracks will be recorded, edited and mastered by producer and sound engineer Richard Price from Candlewood Digital. Price has over 900 commercial music CDs to his credit, and his work has earned a Grammy award plus two Grammy nominations. This is a huge investment for Talamantes and Dehlinger, but they felt they needed this level of sound engineering to ensure the finished CD is comparable to major label productions like Deutsche Grammophon, EMI Classics, Naxos or Sony Classical Records.</p><p>The album will include three cycles of Spanish art songs: Granados’ <i>Canciones amatorias (Love Songs)</i>, Falla’s <i>Siete canciones populares españolas (Seven Spanish Folksongs)</i>, and Turina’s <i>Tres Arias (Three Arias)</i>. We will also record <i>La maja y el ruiseñor (The Maid and the Nightingale)</i>, the gorgeous soprano aria from Granados’ opera, <i>Goyescas</i>, which will be programmed as the album’s opening track.</p><p>As a pianist, Dehlinger especially loves this project because these pieces are as much duets for voice and piano as they are vocal solos with piano accompaniment. Take Track 1, <i>La maja y el ruiseñor</i>. Dehlinger recorded the original piano solo version for his 2011 album, <i>Evocations of Spain</i>. It’s based on a haunting folksong Granados heard sung by a girl in the Valencia countryside. It was written in an improvisational manner, yet its complex passagework and rich texture will give you, as one reviewer said, “the voluptuous sense of passing the fingers through masses of richly-colored jewels.” Wow!</p><p>For Tracks 2 to 8, they’re programming Granados’s<i> Canciones amatorias</i> cycle, which was inspired by his reading of the great poets from Spain’s Golden Age. It demands a singer with Talamantes’s operatic range, especially as the vocal line ascends to great lyrical heights. Meanwhile, the piano provides artful counterpoint and subtle embellishment. The fourth piece of the cycle, <i>Gracia Mia</i>, is part of Talamantes’s live audition repertoire and always a hit with judges and audiences alike. Dehlinger has been her collaborative pianist on this impressive piece at several of her auditions in New York.</p><p>For Tracks 9 to 15, they’re programming Falla’s popular arrangement of seven Spanish folksongs, <i>Siete canciones populares españolas</i>. These pieces are the product of Falla’s fervent and full-blooded treatment of Andalusian folk themes. <i>Siete canciónes</i> is one of the most recorded cycles of Spanish art songs. Nonetheless, they believe they've created a fresh and more impassioned rendition in which one can feel each song’s intensely national color. They think Falla would approve.</p><p>For Tracks 16 to 18, they’re programming <i>Tres Arias</i> by Turina, whose music always seems to convey a feeling of rapture or exaltation. They’re particularly excited about recording this cycle because, inexplicably, it’s so little-known today. (They’ve found only one recording.) Turina sets to music texts by three different Spanish poets: Ángel de Saavedra, José de Espronceda and Gustavo Adolfo Bécquer. He is keenly responsive to the story as it unfolds and weaves an ethereal vocal line that transcends even the virtuosic elements in the piano accompaniment. It’s hard to believe it isn’t recorded more.</p><p>They're packing a huge punch in the album’s concluding track, <i>Rima</i> from <i>Tres Arias</i>. The vocal line is mesmerizing, and they were bowled over by the glowing chords in the piano accompaniment. Nonetheless, during one of their musical soirees, they were so carried away by <i>Rima</i>’s passionate intensity that Danielle added a High C - that’s two octaves above Middle C - starting in the second to last measure, and sustained it all the way to the end. It’s a thrilling conclusion, which you won’t want to miss!</p><p><i>Canciones españolas</i> is a seminal album in the making. It's a project that grew organically out of their shared passion for the Spanish repertoire. Become a backer of this great classical music project now.</p>
Henry Dehlinger | Composer
tag:henrydehlinger.com,2005:Post/6029822
2011-11-18T19:00:00-05:00
2023-05-22T15:39:47-04:00
Pianist Henry Dehlinger Releases Debut Classical CD
<p>Pianist Henry Dehlinger today announced the release of his debut album, Evocations of Spain, featuring selections from Isaac Albéniz’s Iberia and Suite española and Enrique Granados’s Goyescas and Danzas españolas.</p><!-- more --><p>The album is now available for shipping to over 2,500 retailers worldwide and for digital download on CD Baby, iTunes, Amazon and other digital music stores. </p><p>Spanish classical music aficionados familiar with the seminal recordings of legendary Spanish pianists Alicia de Larrocha and Esteban Sánchez may be intrigued with Dehlinger’s fresh interpretation of Albéniz and Granados. </p><p>One Amazon reviewer notes, “I am a great fan of Granados's piano music in particular, so I am happy to recommend this disc of music by Granados and Albeniz both to newcomers and to others who feel about it as passionately as I do. But other than superlative individual performances, this disc also offers something rare these days, namely, a programmatic presentation of the music that provides well thought out contrasts of mood and effect."</p>
Henry Dehlinger | Composer